“Change the World” (1996) by Eric Clapton

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 19 July 2026
Photo by author, San Juan, La Union, 09 January 2026.

Our readings this Sunday are so lovely and refreshing, yet so true and realistic with what’s happening around us. Jesus Christ’s parable of weeds among the wheat proves what we have already known as we aged – “we live in an imperfect world, that there will always be diseases and sickness, failures and death along with scammers and criminals, liars and idiots, suckers and ungrateful and traitors among us” (https://lordmychef.com/2026/07/18/our-inexpressible-groanings/).

And yes, we all want to change the world but God cautions us because many times, the solution we find to life’s and world’s many problems create bigger problems:

But though you are master of might, you judge with clemency, and with much lenience you govern us; for power, whenever you will, attends you. And you taught your people, by these deeds, that those who are just must be kind; and you gave your children good ground for hope that you would permit repentance for their sins (Wisdom 12:18-19).

It is a very tall order, most difficult of all, calling us to become holy and patient like God because any change in the world has to start in our selves. That is why we remember this Sunday Eric Clapton’s version of that 1996 collaboration by Tommy Sims, Gordon Kennedy and Wayne Kirkpatrick “Change the World.”

According to Kennedy, they wrote the lyrics and music to “Change the World” over a span of one year. It was first recorded by country singer Wynonna Judd in February 1996 then by Clapton in October of the same year with the famous R&B artist Kenneth “Babyface” Edmonds as producer when the song was chosen as soundtrack music to the movie Phenomenon starring John Travolta. Aside from winning accolades from critics and awards including the 1997 Grammy for Song of the Year, Record of the Year, and Best Male Pop Vocal Performance, “Change the World” is also one of Clapton’s best-selling hit in his entire career.

It is the music and melody of “Change the World” that is most captivating of all – soulful and reverberates deep inside any lover so in love with a woman to which Clapton has always been so famous (or notorious) like his 1971 hit “Layla” but on a different level and genre. “Change the World” is closer to Clapton’s “Tears in Heaven” which he composed after the death of his four year-old son in 1991. Both songs represent for us a new character and dimension in Clapton unfolding as one of music’s foremost forces up to this time.

Clapton’s distinctive guitar-playing virtuoso in “Change the World” echoes so St. Paul’s words in this Sunday’s second reading of how the Holy Spirit within us “intercedes with inexpressible groanings” (Rom. 8:26); according to St. Paul, we do not know how to pray which is so true that is why it is the Spirit who helps us pray to God. It means that God knows so well what’s going on inside us, when we are so loss for words not only in expressing our feelings and desires but most often, we could not even understand why things are going on – like the trials and difficulties we go through, the injustices that happen.

Many times we are tempted to ask where is God amid all these sufferings we go through in life as individuals and as a nation; but, we know deep in our hearts, God is with us, within us and knows so well everything that is happening. And he is in complete control.

That is why we sigh or groan when we could not contain what’s inside us, just like Clapton’s somber yet so relaxingly confident guitar bass lines in “Change the World” he had divinely woven with the lyrics that express wishful longings of him getting better, being the best person for his beloved.

If I could reach the stars
Pull one down for you
Shine it on my heart
So you could see the truth

That this love I have inside
Is everything it seems
But for now I find
It's only in my dreams

And I can change the world
I will be the sunlight in your universe
You would think my love was really something good
Baby, if I could change the world

If I could be king
Even for a day
I'd take you as my queen
I'd have it no other way

And our love would rule
In this kingdom we have made
'Til then I'd be a fool
Wishing for the day

And I can change the world
I would be the sunlight in your universe
You would think my love was really something good
Baby, if I could change the world
Baby, if I could change the world

I could change the world
I would be the sunlight in your universe
You would think my love was really something good
Baby, if I could change the world
Baby, if I could change the world
Baby, if I could change the world

Even the music video evokes the parable of weeds among the wheat, of how Clapton remains undisturbed by the crowd in the terminal while singing, reminding us that changing the world begins in our being changed first into our best person as more loving, more kind, more patient. Have a blessed week ahead!

From YouTube.com.

“Sowing the Seeds of Love” (1989) by Tears for Fears

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 12 July 2026
Photo by Dra. Eunice A. Vergara, MD, in Victoria, Laguna 19 October 2021.

It’s a gloomy, cold “bed weather” following the exit yesterday of typhoon Inday that had spawned these rains flooding us in various parts of Metro Manila this Sunday. Gone were the days when rains meant farmers going out to their fields during this rainy season to plant and tend their crops. What we now have are commuters stranded everywhere!

How sad that our farmers are dwindling in number with their fields converted into malls and subdivisions, a very clear sign of how we have really missed the very parable of life of God’s superabundance amid our interconnectedness as persons with the environment that Matthew presents us in this Sunday’s gospel (https://lordmychef.com/2026/07/11/our-interconnectedness-in-gods-abundance-the-parable-of-life/).

And that is why we also remember the British duo Curt Smith and Roland Orzabal more known as Tears for Fears with their 1989 hit Sowing the Seeds of Love from their third studio album “The Seeds of Love” as the perfect match to this Sunday’s gospel.

Orzabal reportedly got the inspiration in writing Sowing the Seeds of Love while listening to a radio program about British folk song collector Cecil Sharp who had heard a gardener named Mr. John England singing a traditional English song called “The Seeds of Love” that eventually sparked an English folk song revival. Orzabal mentioned him – “Mister England” – in the ninth stanza “sowing the seeds of love”.

According to Orzabal, Sowing the Seeds of Love is their “most overtly political song” ever recorded. It came out two years after Margaret Thatcher had won in 1987 her third consecutive term in office as Britain’s Prime Minister, referring to her in the third stanza as the “Politician granny with your high ideals, have you no idea how the majority feels?”

Coincidentally in the same third stanza, Orzabal took a dig with his fellow musician Paul Weller with the line “Kick out the style, bring back the jam” as he felt Weller had abandoned his working class political outlook after leaving The Jam in October 1982 to form the The Style Council.

Actually, Sowing the Seeds of Love is “the gospel according to Tears for Fears”, just like their two other songs from that album “The Seeds of Love” – Woman in Chains and Advice for the Young at Heart we hope to feature someday in relation with our Sunday gospel reflections.

Sowing the Seeds of Love is an invitation like the Lord’s Parable of the Sower for us to open ourselves like the fertile ground to receive the “seed” – the Word – proclaimed daily in every Mass celebrated worldwide.

The “seeds of love” Jesus the Sower sowed in the parable are all good – fecund – and most of all, efficacious. Because it is from God, it surely bears fruit always if nurtured and cultivated well. If ever the seeds do not grow and not yield fruits, the problem is with the receiver, with the person who receives or rejects these seeds of love.

How amazing that Tears for Fears follow this line of thought even without mentioning (understandably) the name God in their song, inviting us to “open ourselves” to the seeds of love so that these may germinate and grow, eventually yield a harvest of peace, love and harmony among peoples in the world today.

But opening ourselves to the seeds of love does not merely mean receiving these idly; opening to the seeds of love calls for a lot of self-discipline and hard-work like forgetting one’s self by “Swallowing your pride” and ending “need and politics of greed with love” – exactly like what Jesus taught us these past weeks about discipleship, of forgetting one’s self to carry one’s own cross. Hence, we find too the song Sowing the Seeds of Love not only a gospel but also a parable in itself that mentions a lot of ordinary things we take for granted yet teach us a lot about the meaning of life.

Feel the pain, talk about it
If you're a worried man, then shout about it
Open hearts, feel about it
Open minds, think about it
Everyone, read about it
Everyone, scream about it
Everyone
Everyone, yeah, yeah
Everyone read about it, read about it
Everyone
Read it in the books, in the crannies and the nooks, there are books to read for us

Sowing the seeds of love
Sowing the seeds of love
We're sowing the seeds
Sowing the seeds
Sowing the seeds of love
We're sowing the seeds
Sowing the seeds of love
Sowing the seeds of love
Mr. England sowing the seeds of love

Time to eat all your words
Swallow your pride
Open your eyes
Time to eat all your words
Swallow your pride
Open your eyes

High time we made a stand
Time to eat all your words
And shook up the views of the common man
Swallow your pride
And the love train rides from coast to coast
Open your eyes
Every minute of every hour
I love a sunflower
Open your eyes
And I believe in love power
Open your eyes
Love power
Love power
Open your eyes

Sowing the seeds of love, seeds of love
Sowing the seeds
Sowing the seeds of love, the seeds of love
Sowing the seeds
Sowing the seeds
Sowing the seeds of love, seeds of love
Sowing the seeds of love, sowing the seeds
Sowing the seeds

An end to need
And the politics of greed
With love

Let’s get real this week, start working, sowing the seeds of love to experience Christ’s peace and loving presence among us. Amen. A blessed lovely week ahead of everyone!

From Youtube.com

“Somebody”, “People Are People” (1984) by Depeche Mode

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 14 June 2026
Photo by author, Atok, Benguet, 27 December 2024.

We just felt ourself in the ’80s with two of Depeche Mode’s 1984 hits, “Somebody” and “People Are People” while preparing our homily last week based on this Sunday’s gospel where Jesus was “was moved with pity” upon seeing the crowd “troubled and abandoned like a sheep without a shepherd”, telling his disciples that “The harvest is abundant but the laborers are few; so ask the master of the harvest to send our laborers for his harvest” (Matthew 9:36-38).

My dear friends, we are both the “abundant harvest” and the “laborers” referred by Christ: what we need in this world are people who care and understand others, people who are kind and understanding, most of all loving like him our Good Shepherd. See how Jesus asked us to pray for more laborers, not for more money or food or medicines. Not even gadgets and material things. What we need are persons willing to journey with us in this life, to accompany us especially when days are dark and stormy (https://lordmychef.com/2026/06/13/we-are-the-lords-harvest-and-laborers-too/).

First we remembered was Depeche Mode’s “Somebody” with its unique intro where you hear something that sounds like a heartbeat amid some noise of people or crowd until the vocals come in with that pulsating sound going on until the end. The mood is very intense and deeply intimate, composed and recorded by Martin Gore said to have gone naked in the studio recording of the song “to achieve a more intimate ambience.”

[Verse 1]
I want somebody to share, share the rest of my life
Share my innermost thoughts, know my intimate details
Someone who'll stand by my side and give me support
And in return, she'll get my support
She will listen to me when I want to speak
About the world we live in and life in general
Though my views may be wrong, they may even be perverted
She'll hear me out and won't easily be converted
To my way of thinking, in fact, she'll often disagree
But at the end of it all, she will understand me

Setting aside its romantic meaning, we find “Somebody” speaking to us the very thoughts of Jesus in praying for “laborers” not things to address the needs of people feeling troubled and abandoned. When people are down and lost in life, feeling troubled and abandoned, where do we focus more, to their woes and problems or their very person?

Try thinking of the people you consider as “heaven sent” who helped you in your darkest moments: they are that “somebody” like you who shared your brokenness and most of all brought out your giftedness as a person. Think of that “somebody” who have seen your being an “abundant harvest”, affirming your uniqueness and sharing in your imperfections.

From YouTube.com

As we tried to feel this lovely ballad, we could also feel inside the intensity of Depeche Mode’s other 1984 hit released from the same album with “Somebody” called “People Are People”.

Also written by Gore, “People Are People” is Depeche Mode’s greatest hit showcasing their genre as electronic synth-pop band.

Typical of most British bands of the 1980’s, Depeche Mode shared in this song their call for equality among peoples, directly opposing racism and discrimination, war and violence. Its music video features scenes from a battleship firing its cannons indicating their opposition to war and violence.

People are people, so why should it be?
You and I should get along so awfully
People are people, so why should it be?
You and I should get along so awfully

So, we're different colors and we're different creeds
And different people have different needs
It's obvious you hate me, though, I've done nothing wrong
I've never even met you, so what could I have done?

I can't understand
What makes a man
Hate another man
Help me understand

Both songs by Depeche Mode, “Somebody” and “People Are People” remind us of the value of every person as God’s abundant harvest, each one of us a gift to be cherished and valued always. Likewise, both songs imply our being brothers and sisters entrusted to each one for God’s greater glory, not ours. Amen. Happy listening.

From Youtube.com

“Everytime You Go Away” (1980) by Hall & Oates

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 04 May 2026
Photo by author, Sacred Heart Novitiate, 20 March 2026, Novaliches, QC.

We’re back with our Sunday music blog with a Hall & Oates original we hope will soothe our searing weather and wipe too our troubles in Jesus’ name. But before we go into their lovely music, let us try to recall first this Sunday’s gospel that brings us back to the Last Supper scene just before the betrayal and arrest of Jesus.

Imagine the silent stillness of the room heavy with emotion, with lamps flickering in the evening light.

Feel the ebb and flow of intimacy and uncertainty in the impending separation of the Lord from his disciples.

Then, amid the gloom, feel the comforting assurance of Jesus telling his disciples that include us today to “Do not let your hearts be troubled. You have faith in God; have faith also in me” (Jn.14:1)

What’s troubling you lately?

Many times, what really troubles us most is the fear of being left out, of being alone.

Money, sickness, and ultimately death trouble us a lot because of our fears of having nobody by our side not only to defend and comfort us but simply be with us. That is why we are troubled when people we love cheat on us, betray us or simply threaten us of walking away from us to be on their own.

Every time a beloved leaves us by choice or by circumstances, whenever we feel “apart” from others and separated, we feel losing a part of very selves because each one is also our part.

This we hear perfectly expressed by Daryl Hall and John Oates in 1980:

And everytime you go away
You take a piece of me with you
And everytime you go away
You take a piece of me with you, you

Everytime You Go Away is from the 1980 “Voices” album of Hall & Oates from which also came their highly popular version of You’ve Lost that Lovin’ Feeling, followed by the smash hits Kiss On My List and You Make My Dreams.

Hall & Oates did not release a single version of Everytime You Go Away that was later covered by Paul Young in 1985 when it became number one for several weeks both in the UK and US Billboard charts. Hall admitted in an interview that Paul’s cover of Everytime You Go Away is his most favorite.

But of course, as a Hall & Oates fan, we prefer their own rendition of Everytime You Go Away that is truly more soulful with the long organ introduction that make it sound so gospel and churchy too. Try listening to Hall’s later versions and be awed with his powerful voice that had aged like an expensive wine. How sad that Hall and Oates have parted ways recently after more three decades of partnership that earned them the title of being music’s dynamic duo.

Since becoming a priest in 1998, we have been mentioning this song, sometimes “singing” it in our homily and spiritual talks because of its gospel values about honesty and sincerity, especially fidelity in our relationships (https://lordmychef.com/2026/05/02/easter-is-jesus-our-home-our-cornerstone/).

Being left out, being alone is the deepest pain one could ever have. And that is why Jesus came, suffered and died for us on the Cross so that in his Resurrection, we would never be apart from him and everyone anymore, here on earth and hereafter. Have a blessed week ahead!

From YouTube.com.

A rockin’ playlist for Holy Week

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 29 March 2026
Photo by author, St. Ildephonse Parish, Tanay, Rizal, January 2021.

If you have a lot of cash to spend for a unique Holy Week just outside Metro Manila, I suggest you visit St. Ildephonse Parish in Tanay, Rizal and look for the Seventh Station of the Cross when Jesus fell for the second time on his way to the Calvary.

You won’t miss it as you enter the main door immediately to your left. Done by local artisans in 1785, these huge woodcarvings depict one of the most unique Stations of the Cross in the world where soldiers and characters including Jesus Christ have Malay features of brown complexion, large and round eyes, and “squared” body features. Everything was given a local taste to make the Station so Filipino like the soldier leading them blowing a carabao horn for a tambuli while another carried a bolo instead of a sword.

But, the most astonishing of all is a man so prominently portrayed at the middle wearing sunglasses, looking far outside. Yes, the dude wore shades!

Photo by author, St. Ildephonse Parish, Tanay, Rizal, January 2021.

Historians we consulted told us smoked glasses have been available in the Philippines during that time courtesy of Chinese traders. According to the catechists and volunteers we talked to while at the parish, they were told by their elders that man with sunglasses is the high priest Caiaphas who led the Sanhedrin trial of Jesus who declared him guilty of blasphemy in claiming himself to be the Christ, the Son of God.

But, why wear shades? Was it because he refused to see and accept the truth that Jesus indeed is the Christ, the Son of God just like us today who wear all kinds of colored glasses presenting our own image God too far from who he really is. Or, as my kinakapatid Dindo Alberto (+) who was my roadtrip companion at that time said it shows that rock and roll had long been in existence since the time of Jesus Christ, the real Superstar.

I believe Kuya Dindo that is why I prepared two rock and rollin’ music this Holy Week for you to listen and reflect while driving on your way to a visita iglesia to pray and be with family and friends.

I have always loved The Smiths since college especially when NU107 came out at the other end of the FM band in the late 80’s. Heaven Knows I’m Miserable Now remains one of my personal anthems since it first came out in 1984.

When I was assigned as chaplain here at the Our Lady of Fatima University in Valenzuela in 2021, I was surprised to hear some of our college students singing and posting on their socmed There Is A Light that Never Goes Out – kids so young almost like my own pamangkins! And that’s one thing I like most with the Gen Zs and Millennials who also love and embrace our music and artists because they are simply the best. Period.

A week after Ash Wednesday last February 24, I used There Is A Light That Never Goes Out by The Smiths in my monthly spiritual talk to our employees at the University and the Fatima University Medical Center as a fitting music and guide in our 40-day journey of Lent which is more of an inner journey into our hearts to find Jesus Christ, the Light who never goes out amid life’s many darkness. Moreover, Jesus is the Light who never goes out as he restores our sight from the blindness we go through like in the healing of the man born blind that was the gospel last March 15, fourth Sunday in Lent. See how its lyrics also apply either to Jesus speaking to us or to anyone seeking Jesus.

Take me out tonight
Where there's music and there's people
And they're young and alive
Driving in your car
I never, never want to go home
Because I haven't got one
Anymore

Take me out tonight
Because I want to see people
And I want to see life
Driving in your car
Oh please, don't drop me home
Because it's not my home, it's their home
And I'm welcome no more

Of course, composer Johnny Marr and lyricist-vocalist Morissey may have other meanings behind this song considered as their finest but still, it speaks about finding hope that leads us to believe in ourselves, in others and in God. In this mass-mediated world that declares to see is to believe, Jesus tells us the other way around, believe that you may see!

When we believe, then we truly “see” and that is when we love, love, and still love until it hurts even unto death because that is when we find meaning in life and everything. And everyone.

And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten tonne truck
Kills the both of us
To die by your side
Well, the pleasure,
the privilege is mine

Jesus Christ did just that that is why we have Good Friday; he rose from the dead at Easter and since then, has remained the Light who never goes out, lighting our paths in this time of many darkness in life.

Photo by author, Sacred Heart Novitiate, Novaliches, QC, 20 March 2026.

Sometimes, sunglasses help us see clearly as they filter distracting lights and contrasts that blur our vision with the naked eyes. And so, here is our second rock n’ roll song for Holy Week, Bruno Mars and Lady Gaga’s Die With A Smile which we used also in our employees’ Lenten recollection at the University and Hospital last February 24.

Aside from the striking contrast of The Smiths’ There Is A Light That Never Goes Out that represented the punk, alternative, dark side in me, Die With A Smile represented the 1970’s funky groove I grew up with. And that is why I love and follow Bruno Mars: aside from having a Filipino blood in his Pinay mother, his experiments with music strongly rooted in the 1970’s make us from the older generation feel so welcomed and relate so well with him and his message of faithful love until the end of time.

Along with its lyrics that speak from the heart, the melody and great combination of the voices and talents of Bruno and Lady Gaga make Die With A Smile so lovingly touching, even mesmerizing that make you think of the only one you truly love most that you want to spend the rest of your life with until the end of the world – to die with a smile.

Ooh
I, I just woke up from a dream
Where you and I had to say goodbye
And I don't know what it all means
But since I survived, I realized

Wherever you go, that's where I'll follow
Nobody's promised tomorrow
So I'ma love you every night like it's the last night
Like it's the last night

If the world was ending, I'd wanna be next to you
If the party was over and our time on Earth was through
I'd wanna hold you just for a while and die with a smile
If the world was ending, I'd wanna be next to you

Holy Week remind us of our only one true and first love of all – God. We call this the Holy Week in Filipino as mga Mahal na Araw from the word mahal that means mahalaga or important and essential. That is why another word for love in Filipino is pagmamahal, literally to give importance. Not just pag-ibig which is more about liking as ibig means.

In these days of rising costs of fuels and commodities, anything expensive is described too as mahal in Filipino because they are so important and essential. Like the ones we love. Holy Week is mga Mahal na Araw, the holiest days when Jesus Christ expressed his deepest love – pagmamahal – for each of one of us by dying on the Cross because everyone is loved so immensely by God.

Again, Jesus was the first to have “died with a smile” because he offered his very self completely and freely, willingly for us because he loves us. And he had promised that he shall come again at the end of time. Are we willing to wait for him by loving truly those persons he had entrusted to us in this life?

Until our next music, have a blessed Holy Week and most blessed Easter everyone!

If You Don’t Know Me By Now (1989) cover by Simply Red

Lord My Chef Sunday Music, Fr. Nicanor F. Lalog II, 11 May 2025
Photo by author, Hidden Valley Spring Resort, Calauan, Laguna, February 2025.

It is the Good Shepherd Sunday and also the eve of local elections in our country. Clearly God is speaking to us today of the need to vote wisely by choosing candidates who can be like good shepherds who will lead our nation to greener pastures.

What a tragedy that despite our being a predominantly Christian nation not only in Asia but in the whole world, we have continued to lag in growth and development because we have consistently put into office corrupt and inept officials.

That is why this Sunday we have chosen Simply Red’s 1989 cover of Harold Melvin & the Blue Notes’ original hit in 1972, If You Don’t Know Me by Now. It is a love song of a man’s lament of how his beloved has failed to “know” him so well that they quarrel so often.

Sing the song everybody, c'mon
If you don't know me by now (Moldova!)
You will never never never know me, ooh

Now all the things that we've been through
You should understand me like I understand you
Now girl I know the difference between right and wrong
I ain't gonna do nothing to upset our happy home

Oh, don't get so excited
When I come home a little late at night
You know, we only act like children
When we argue, fuss and fight

Are we not like that in the Philippines? We cannot move forward as we keep on quarreling because we put the wrong people in government. We never think of the greater majority and of the future generations. Worst, we refuse to accept what we know! We know the candidate as corrupt and shallow yet many still vote for them. We know that the candidates are just popular as actors and actresses without any background at all in governance yet many still elect them into office doing nothing except to entertain.

In a deeper sense, it is in knowing that we are able to love most like Jesus Christ in today’s gospel when he declared “My sheep hear my voice. I know them, and they follow me. I give them eternal life, and they shall never perish” (Jn.10:27-28). For the Jews, knowing another person is more of the heart than of the mind; knowing another person is having a relationship not just being aware of one’s name and address.

Knowing and loving work hand in hand: only Jesus can love us immensely despite his knowing of our flaws and weaknesses and sins. Though it is difficult for us humans to imitate, the most we can do is first of all within ourselves to have that self-knowledge that leads us to accept who we really are to become a better person. Anyone who truly loves God and the country will always choose the best candidate for any office after an effort of knowing everything about them. To hear and follow the Good Shepherd means we choose the best, we reject the worst who are often the most sinful.

Candidates who truly love the country, on the other hand, will never pursue an office if they know in themselves they are not capable of the job ahead. It is something they must learn to accept despite their popularity or desire to be in any position.

Like what the song says, nobody’s perfect but if we work hard to know the other person including ourselves, things can get better for more understanding and acceptance. And love.

We all got our own funny moods
I've got mine, I'll bet you woman, you got yours too
You better trust in me, like I trust in you
As long as we'll be together, it should be so easy to do

Just get yourself together
Or we might as well say goodbye
What good is a love affair
When you can't see eye to eye? Oh
If you don't know me by now (if you don't know me, baby)
You will never, never, never know me (no you won't) ooh
No you won't, no you won't, no you won't
If you don't know me by now (twenty long years, we've been together)
You will never, never, never know me ooh (oh)
If you don't know me by now
You will never, never, never know me (no you won't) ooh

We love the original but we find Simply Red Mick Hucknall’s version so moving, especially the live one from Sydney Opera House in 2010. Enjoy.

From Youtube.com

*Please, know your candidates tomorrow and vote wisely. Together let us build a better tomorrow for all of us despite our flaws and weaknesses.

“My Ever ChangingMoods” (1984) by the Style Council

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 13 April 2025
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.

Today we begin the Holy Week with the celebration of Palm Sunday in the Lord’s Passion.

See how since the entry of Jesus to Jerusalem more than 2000 years ago, nothing much have really changed among us – we are still the same fickle-minded people who would sing “Hosanna in the highest” and later shout “crucify him! crucify him!”.

Everybody wants to become better, each one wishing for so many things without really realizing the good things we are hoping for are all right in front us if we could just open our eyes or listen more or perhaps have a change of heart to realize everyday is a Palm Sunday too for us when God comes right into us to fulfill us.

However, many times whether in our wishful thinking or future-looking and planning, it is highly probable that what we long for is already present to us.

As we begin the Holy Week with the celebration of Palm Sunday in the Lord’s Passion, we are reminded by the liturgy with its long readings how so often in life, we just need to see with different eyes, hear with different ears, expect with different hearts to find fulfillment, peace and joy.

The sad truth is that many times, we really do not know what we want and most of all, we also do not know what we are doing because we are so far from Jesus Christ. https://lordmychef.com/2025/04/12/when-we-do-not-know-what-we-are-doing/

The night before I wrote my homily yesterday, I was posting some reels in my Instagram account when one of the music I used was the Style Council’s 1984 hit “My Ever Changing Moods”. Composed by the group founder Paul Weller who shot to fame in the 1970’s as lead singer and guitarist of the British rock band The Jam, “My Ever Changing Moods” is the Style Council’s fifth single.

Aside from Weller’s superb vocals, “My Ever Changing Moods” is so remarkable in what shall we describe as “subtle intensity” – ang tindi ng dating as we say. Despite the message conveyed by its title, the song is heavy in meanings that can stir one’s soul with its light and easy poetry yet so penetrating. That is why we right away felt its direct link with Palm Sunday.

Daylight turns to moonlight and I'm at my best
Praising the way it all works, and gazing upon the rest, yeah
The cool before the warm, the calm after the storm
The cool before the warm, the calm after the storm

I wish to stay forever, letting this be my food
Oh, but I'm caught up in a whirlwind
And my ever changing moods, yeah

Many times in life, we forget that reality of how everything is like the weather that shifts and changes in a rhythmic pattern, “Daylight turns to moonlight…the cool before the warm, the calm after the storm.” The key is openness to these changes happening in us and around us.

Though Weller and critics claim of the song’s political undertones, we see something deeper, something spiritual that we find it so appropriate in this time as we enter the holiest days of the year. Notice these final four stanzas how they convey love and order, something so similar to Jesus Christ’s first words when crucified more than 2000 years ago, “Father, forgive them for they know not what they do” (Lk.23:24).

Teardrops turn to children who've never had the time
To commit the sins they pay for through another's evil mind
The love after the hate, the love we leave too late
The love after the hate, the love we leave too late

I wish we'd wake up one day, an' everyone feel moved
Oh, but we're caught up in the dailies
And an ever changing mood, yeah

Evil turns to statues and masses form a line
But I know which way I'd run to, if the choice was mine
The past is knowledge, the present our mistake
And the future we always leave too late

I wish we'd come to our senses and see there is no truth
In those who promote the confusion
For this ever changing mood, yeah
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.

What do we really know at all that we continue to crucify Jesus today, nailing him on the cross with our many sins as we pretend and assume to know so many things in life?

To know in the Jewish mind is to have a relationship, an activity more of the heart than of the mind. To know is to love, to care. Therefore, when Jesus prayed to the Father to forgive them for they know not what they do is to forgive them because they refuse to love which is what sin is all about. And that is what we still do not know until now – to love, to care for one another that we keep on crucifying Jesus Christ.

Until now, we pretend to know a lot that some nations resort to wars while some blind followers insist on what they know as right while evading the truth with their fake news being spread to cover crimes and atrocities. Until now we pretend to know what we are doing that everyday everywhere is a road rage happening often costing lives senselessly because many insist on their rights. And the confusions and quarrels and deaths continue because we do not know what we are doing. Like Paul Weller, we pray to Jesus that we’d come to our senses and see there is no truth// In those who promote the confusion// For this ever changing mood, yeah.

For this piece, we chose the slow version on piano of Style Council’s “My Ever Changing Moods” to be more attuned with Palm Sunday; you may check their original music video which is equally excellent.

From YouTube.com

“I Don’t Know How to Love Him” (1971) by Yvonne Elliman

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 06 April 2025

This is the second time we have featured Ms. Yvonne Elliman’s I Don’t Know How to Love Him in our Sunday Music at this time of the year when the Sunday gospel is about the woman caught committing adultery.

Every time that story comes up, my mind automatically links it with this song sang by Ms. Elliman in both the Broadway and movie versions of the rock-opera Jesus Christ, Superstar where she played the role as Mary Magdalene who was believed for a long time as the woman caught committing adultery. Modern biblical scholarships have long debunked that belief but that song by Andrew Lloyd Weber and Tim Rice plus Elliman’s amazing interpretation has given us with so many perspectives about the gospel itself.

One thing we realized this year is how we – like the woman caught committing adultery meet Jesus Christ face-to-face to experience his immense love and mercy and forgiveness.

We encounter Jesus when we disarm ourselves of our false securities and pretenses, masks and camouflages that all cover our sins. It is when we come face-to-face with our sinful self when we eventually meet Jesus face-to-face too because that is when we surrender in silence like the woman caught in adultery and the mob to some degree because all the charges against us are true.

See also that it is only the fourth gospel that Jesus is portrayed “bending” low – first here before the woman caught committing adultery and secondly at the washing of the feet of his Apostles at their Last Supper. How lovely is that sight to behold, dear friends! Imagine God bending before us, giving us like the sinful woman and the mob that space for us to confront our true self, to realize and accept the whole realities we are all interconnected in love.

Only the woman remained – like the eleven Apostles at the Last Supper – because she was the only one willing to change, probably sorrowful and contrite for her sins. Contrary to our fears, Jesus has only love and mercy, kindness and forgiveness to anyone contrite and sorrowful of one’s sin that so unlike with the people’s wrath and anger, judgment and condemnation. St. Augustine perfectly described that moment in today’s gospel, Relicti sunt duo; misera et miserecordia (Two were left; misery and mercy). https://lordmychef.com/2025/04/05/lent-is-encountering-jesus/

Now, look at the first two stanzas of I Don’t Know How to Love Him:

I don't know how to love him
What to do, how to move him
I've been changed, yes really changed
In these past few days
When I've seen myself
I seem like someone else

I don't know how to take this
I don't see why he moves me
He's a man
He's just a man
And I've had so many
Men before
In very many ways
He's just one more

See the conversion and transformation of the woman caught in adultery expressed by Ms. Elliman in the song: I’ve been changed, yes really changed/ In these past few days/ When I’ve seen myself/ I seem like someone else. It is one of the great ironies in life: when we are most vulnerable and weakest, that is when we are also most truest to our self, that is when we truly grow and mature in life!

And this was all possible because of the gift of love and mercy of Jesus Christ, of encountering the Lord and Savior Himself in our own brokenness which the song and the singer captured so perfectly, He’s just a man/ And I’ve had so many men before/ In very many ways/ He’s just one more.

How amazing that the lyrics and the rendition blended perfectly, making us realize how Jesus is just like any other man but not just another additional man; Jesus is MORE than any one because He is the only who truly loves us most, offering us forgiveness once we strip ourselves naked before Him of all our sins and pride and pretensions. God’s love in Jesus Christ is beyond imagining. This we have seen in the parable of the prodigal son and now in the story of the woman caught committing adultery. Do not let your past sins prevent you from meeting Jesus face-to-face to finally experience that inner peace and joy you have been missing and searching for so long.

We are now in the final Sunday in Lent, next week is Palm Sunday, the start of the Holy Week. We can never experience the joy of Easter unless we join Christ’s Passion of emptying ourselves of sins and pride to be filled with His humility, justice and love.

Here is the lovely Ms. Elliman with her superb singing of I Don’t Know How to Love Him, hoping this helps you prepare in this final week of Lent.

From YouTube.com.