“The Closer I Get to You” by Roberta Flack (1977)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 21 July 2024
Photo by Dra. Mylene A. Santos, MD, Infanta, Quezon, 2020.

We’re back on this lazy but blessed Sunday when our gospel is about rest, “Jesus said to his apostles, ‘Come away by yourselves to a deserted place and rest a while'” (Mk. 6:31).

Rest is first of all going back to God in Jesus Christ who sends us to work, on a mission; rest is being filled with God or “breathed on” by God as we say in Filipino mag-pa-hinga (https://lordmychef.com/2024/07/20/rest-is-to-be-close-with-jesus-close-with-others/).

And we thank God for the gift of music that is the easiest, most affordable and most rewarding manner of rest for us next to prayer and the Mass. Most of all, see that every song, every musical piece is always about love who is God Himself!

For this Sunday, we go back to 1977 with Roberta Flack’s romantic ballad The Closer I Get to You that is more than a song of love but a story of love in itself.

According to Ms. Flack, it was her manager David Franklin’s idea that she record a duet of that song with her college friend Donny Hathaway who was then suffering with clinical depression. Both have worked together earlier in several duets. As a way of helping her friend get over his depression, the song was re-written while Ms. Flack had to make a lot of sacrifices in recording and shuttling between New York City and Chicago where Hathaway was confined to a hospital and had refused to travel.

Hathaway never recovered from his depression and eventually died a few years after the release of their duet in 1978 that became an instant hit, earning praises and had them nominated for Grammy the following year.

Ms. Flack said in an interview that their duet would always be her dedication to Hathaway as she donated all the money earned from that song to Hathaway’s widow and two children.

As we have mentioned in our homily today, rest is getting closer with God and the closer we get to Him, the closer we get with others. That is why Jesus was moved with pity to the vast crowds who have followed them to a deserted place to rest: His oneness with the Father moved Him closer to people especially the poor and the suffering. And that is why we find The Closer I Get to You perfect with our gospel this Sunday: the more we get closer with Jesus, the more we get closer with our family and friends and those in need.

The closer I get to you
The more you make me see
By giving me all you've got
Your love has captured me

I love that first stanza of The Closer I Get to You; it says the very essence of the song which is a gospel in itself. It reminds us of St. John’s first letter when he wrote, “No one has ever seen God. Yet, if we love one another, God remains in us, and his love is brought to perfection in us” (1Jn.4:12).

The more we get closer with anyone, the more we love, because the more our eyes are opened to see others to love. And God becomes more present among us!

It’s a Sunday, go celebrate the Mass and enjoy some beautiful music to remind us of God’s presence among us. Here now is The Close I Get To You…

From YouTube.com

“Iisang Bangka Tayo” by The Dawn (1992)

The Lord Is My Chef Sunday Music for the Soul by Fr. Nicanor F. Lalog II, 23 June 2024
Photo by Fr. Pop Dela Cruz, Binuangan Is., Obando, Bulacan, June 2021.

We go OPM this Sunday, digging through the great decade of Pinoy rock bands of the 90’s with The Dawn’s Iisang Bangka Tayo released in 1992.

I was still outside the seminary working at GMA7-News when The Dawn rocked the local scene with their Enveloped Ideas in 1987. Unfortunately, their founder and more famous member Teddy Diaz was stabbed to death the following year on his way to visit his girlfriend in Quezon City that abruptly ended the career of a very promising musician who have unknowingly sowed the seeds for the blossoming anew of OPM with the advent of many alternative bands in the 90’s.

After leaving GMA-7 News to give my vocation a second try in the seminary, radio and music remained my two “worldly” pursuits without any plans at all of ever turning away from. And I was so glad The Dawn had continued to play music all those years while in the seminary days until I became a priest.

This is my second favorite song from them: rough and raw as they have always been with deep thoughts running through but this time in the vernacular language. What I like most with this song is its theological undertones: its calls for togetherness and unity as friends and a nation, and most of all, of communion as a church considering that is what the boat symbolizes.

The boat carrying Jesus and the disciples crossing the Lake of Galilee during a violent squall actually symbolized the Church under persecution. The Dawn’s Iisang Bangka Tayo struck the gospel chords perfectly, especially at this part midway through the song:

Dahon ng damo tangay ng hangin
At di mo matanaw kung saan ka dadalhin
Ngunit kasama mo ako nakabigkis sa puso mo
Daluyong ng dagat ang tatawirin natin

Saan ang tungo mo mahal kong kaibigan
Saan sadsadyain hanap mong katahimikan
Basta’t tayo’y magkasama laging sasabayan
Pinagsamaha’y nasa puso kaibigan kabarkada

Iangat natin ang layag sa umaawit na hangin
Kapit-bisig tayong ang gabi ay hahawiin

Ating liliparin may harang may sibat
Ating tatawirin daluyong ng dagat
Pagkat kasama mo ako iisang bangka tayo
Anuman ang mithiin ay makakamtan natin

It is the same message of oneness and trust that Jesus conveys in our gospel this Sunday who silently joins us in the boat to help us cross this sea of life amid storms and giant waves that can be overwhelming most of the time (https://lordmychef.com/2024/06/22/into-the-sea-of-life-love/). Most of all, Jesus and The Dawn’s Iisang Bangka Tayo remind us of the need for more love and trust with each other to overcome life’s many trials and sufferings. Here now are The Dawn… rak en roll!

From YouTube.com

“Big Yellow Taxi” by Joni Mitchell (1970)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 16 June 2024
Photo by Sarah-Claude Lu00e9vesque St-Louis on Pexels.com

We’re back with our featured music this Sunday that is both so close to our Mass readings and Fathers’ Day celebration: Joni Mitchell’s 1970 hit Big Yellow Taxi from her album Ladies of the Canyon.

Written, composed and recorded by Canadian Mitchell, Big Yellow Taxi is known as an environmental song that was so popular during the early 70’s but its message remains so valid up to this time, of the folly of modern man destroying nature in the name of material progress. It is perhaps the main reason why the song has been covered repeatedly by other artists up until the turn of this century (Counting Crows featuring Ms. Vanessa Carlton in 2002).

They paved paradise and put up a parking lot
With a pink hotel, a boutique, and a swinging hot spot

Don't it always seem to go
That you don't know what you got 'til it's gone?
They paved paradise and put up a parking lot

Ooh, bop-bop-bop
Ooh, bop-bop-bop (na-na-na-na-na)

They took all the trees and put 'em in a tree museum
And they charged the people a dollar and a half to see them
No, no, no

In today’s Sunday Mass first reading, we heard the Prophet Ezekiel announcing to the Israelites exiled in Babylon at that time how God would plant a Lebanon cedar on a mountain that would grow majestically with birds building nest on its branches. This prophecy was eventually fulfilled in Jesus Christ, the Emmanuel or God-with-us who is like a big tree in our midst.

And that’s where we find Mitchell’s song very relevant to us when some people no longer care at all for God with their lack of concern for Mother Nature too. Mitchell perfectly captured that human stupidity of cutting trees to build parking lots (and malls in our time), then exhibit these trees in museums to charge people with fees just to see something freely given to us by God!

Photo by Dra. Mylene A. Santos, MD, in Infanta, Quezon, April 2020.

According to an interview, Mitchell wrote this song after arrival in Hawaii for the first time. She was so impressed with the beautiful expanse of nature as viewed from her window but upon looking down from the same window, she saw a huge parking lot that made her felt so bad that she immediately wrote the song. Her heart further sank deeper in sadness after learning a living museum in Honolulu that kept rare and endangered plants and trees. What an irony indeed!

Another poet we have mentioned in our homily this Sunday who extolled the beauty of trees is the American Joyce Kilmer who wrote Trees in twelve lines that sound so much like a gospel too: “I think I shall never see//A poem lovely as a tree… Poems are made by fools like me//But only God can make a tree.” Kilmer’s poem was a staple in English classes during our elementary school days that we have memorized it by heart. Though apart by almost 3000 years, both Mitchell and Ezekiel exhorted us in a song and a prophecy respectively of a spirituality of trees worth reflecting (https://lordmychef.com/2024/06/15/poems-are-made-by-fools-like-me-but-only-god-can-make-a-tree/).

Towards the end of Mitchell’s song, we just realized lately that her Big Yellow Taxi is also a Fathers’ Day song:

Listen, late last night, I heard the screen door slammed
And a big yellow taxi took away my old man
Now, don't it always seem to go
That you don't know what you got 'til it's gone?
They paved paradise to put up a parking lot

According to some accounts, Mitchell could be referring to her lover or boyfriend taken by the Toronto Police whose mobile cars used to be painted yellow until 1986 while in some covers, that line clearly referred to their lovers leaving them by taking the yellow taxi.

Whatever may be the meaning behind that line, Big Yellow Taxi invites us all to reexamine our priorities in this life, including those that pertain to our nature and environment, and family life, especially fatherhood that is now in crisis. Here now is Ms. Joni Mitchell to help you in reflecting the points we have raised. Happy Fathers’ Day to all the great men and dads remaining faithful in their love and responsibilities!

From YouTube.com

Is It Any Wonder? by Durand Jones & The Indications (2016)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 26 May 2024
Photo by author, San Juan, La Union, 25 July 2023.

Mysteries are like gifts wrapped so beautifully but not meant to be opened to be explained nor understood; rather, we simply have to let ourselves be wrapped by the gift of life’s mysteries to discover its many gifts that can enrich us in the process.

Just like the mystery of God, His being One in Three Persons called the mystery of the Most Holy Trinity which we celebrate this Sunday. Contrary to common beliefs, mysteries can be explained and understood but, not fully.

Yet, why live explaining and understanding everything?

That is why when God revealed Himself to us, He did not come explaining terms and concepts to us humans and instead conducted Himself in a most unique, personal manner. God related to us in a very personal way like another person by letting us experience His loving presence, His kindness and mercy, His justice and salvation, His healing and liberation as Father, Son and Holy Spirit (https://lordmychef.com/2024/05/25/the-gift-of-persons/).

That is why we have chosen for this Sunday’s music the 2016 Is It Any Wonder? by the American contemporary and R&B soul trio of singer Durand Jones, singer/drummer Aaron Frazer and guitarist Blake Rhein who call themselves as Durand Jones & The Indications. I accidentally discovered them along with other young musicians during the 2020 lockdown of COVID-19 pandemic. Their music is so cool coupled with lyrics so thoughtful. And mysterious. Like Is it Any Wonder? that sounds so matured yet so young, reminding us of our first crushes or first love when we got so lost in what to do and say whenever near the girl of our dream.

This road
Is gonna take us back now
You look so fine
I don't know how to act now
They say, "My child
Don't stroll off easy
'Cause when it's time
You gonna hear what she said"

Is it any wonder?
Is it any wonder?

If you ever leave me alone
I'll be cryin', wishin' you'd come home

When I look in your eyes
I see you starin' at me, girl
And when it's time
I see you holdin' on me, girl

'Cause you
You got a hold on me, yeah
So, I'm
Gonna make you see, yeah
Aw, yeah

Is it any wonder?
Is it any wonder?
Is it any wonder?
Is it any wonder?

With its classic tune and laid-back beat of guitar, drums and horns in the KEXP live version we prefer, Is It Any Wonder? speaks so well of life’s many mysteries that wrap us and move us at the same time to greater heights in believing more and loving more. Very often when we meet people, our tendency to welcome them is a result of their conduct with us, like this girl in the song Is It Any Wonder? Is she warm or cold, inviting or reserved and closed?

See how the song speaks so little – but heavily – of his experiences with his crush, leaving everything into wondering and awe, repeatedly singing, Is it any wonder?

To wonder, to be awed like a child is the beginning of love, of discovery of God and of the other person who fills the emptiness and longings within us. That is the gift of person, of God as Father, Son, and Holy Spirit – there is always that mystery we can’t explain right away but we feel disarmed, wondering why we are drawn to God and others because of their conduct, of their kindness, of their offer of relationship. The key is to always wonder and bask into the beauty and gift of the other person, especially of God. Have a relaxing rainy Sunday!

From YouTube.com.

“You Belong to Me” (1952) by Jo Stafford

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 12 May 2024
With my sisters Bing and Meg in Egypt, part of our Holy Land pilgrimage in 2019.

Since it is a Mother’s Day this Sunday, we are featuring my late mom’s favorite music as far as I can remember, Jo Stafford’s You Belong To Me that was released in 1952. I am not really sure if it was her favorite music in fact or simply one of the few old records (78 RPM) of my dad she kept playing in our Radiowealth phonograph.

I remembered the song very well because of its opening line “See the pyramids along the Nile” she would sing to my dad. Sometimes they would duet as they danced in our large sala. Truth is, it was only recently when I learned its title You Belong To Me courtesy of YouTube.

I was four years old in 1969 and we have moved to a spacious, two storey apartment of Aling Metring in Alibangbang Street, Project 7 when mommy finally had dad’s old stereo phonograph brought to QC from Bulacan along with albums of 45 rpm records with some LP’s and those rare 78’s. That was how I got hooked with music and radio early in childhood. Through my parents.

It was mommy who made an important impact on my tastes for music. During that time, there was record peddler who came to our apartment once a month offering the latest records. Mommy was so kind to have allowed me to choose and buy a record album I was so fascinated with the jacket design and music. She never said anything negative about my choice, that it was the music of the devil. From Santana, I came to love Led Zep, Steely Dan and the rest. Of course, Beatles was a staple during that time at home and in my elder cousins.

Back to her favorite… You Belong To Me.

Early this morning in my room, I saw the many posts of relatives and friends about Mother’s Day. I cried and remembered mommy. My first motherless Mother’s Day. But, I realized, even after mothers have died, we never become motherless. Mothers are like God: they are always present everywhere!

And that is the meaning of Ascension: Jesus did not go to any place but leveled up in His relationships with the Father and us. Ascension is Jesus sitting at the right hand of the Father to assert we all belong to Him. That is what Ascension is, our belonging to God and with each other as Jo Stafford said so well:

See the pyramids along the Nile
Watch the sun rise on a tropic isle
Just remember, darling, all the while
You belong to me

See the marketplace in old Algiers
Send me photographs and souvenirs
Just remember when a dream appears
You belong to me

I’ll be so alone without you
Maybe you’ll be lonesome too, and blue

See how every stanza is closed with the line You belong to me, reminding her beloved that no matter wherever he may go, she would still be loving him. So motherly!

Her chorus line speaks well of the Ascension: we’ll be so alone without Jesus who came here to bring us all back to God the Father. Like God, mothers love us her family so much that even in heaven, we still have that invisible umbilical cord connecting us to them.

Blessed happy mother’s day, Mommy and my others moms! This is for you.

From YouTube.com

“So Far Away” by Carole King (1971)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 28 April 2024
Photo by author, somewhere in Bgy. Kaysuyo, Alfonso, Cavite, 27 April 2024.

It is a “frying Sunday” as heat index rose to over 40 degrees today and there’s no stopping at temperature rising in this final week of April. And so, we offer you this Sunday one of the coolest music we have grown up with courtesy of Ms. Carole King.

From her beautiful Tapestry album released in 1971, we find So Far Away perfectly expressing the essence of Jesus Christ’s call for us to remain in him, our true vine:

To remain is more than physical like to stay. A branch remaining, staying intact with the vine but had turned yellow and dried up is clearly not one with the vine. We can be inside the church but be detached with everyone and the celebration. We may be staying or residing in the same address and home but our heart and very self may be so far away from our siblings or parents, or from your wife or husband.

Remaining implies something more than physical presence. To remain is to have a relationship, a bonding that is deep and intimate. To remain is to be of one heart as GMA7 claims to be a kapuso which is more important than being a kapamilya or a kapatid. There is no sense of being a family (kapamilya) when there is no love in the family or at the other hand, a sibling (kapatid) is nothing if the brother or sister is your enemy. We remain with God and everyone when our hearts are attuned or inclined to God and with others in love which is the fruit of the vine, Jesus Christ.

https://lordmychef.com/2024/04/27/remaining-in-christ-2/

So Far Away is a gospel in itself about love which is about oneness. Even if we are apart – temporarily or eternally – for as long as we have that communion and bonding of our hearts, that love will always be truly felt. Perhaps, one reason for the saying “absence makes the heart grow fonder” when lovers are apart. Remaining and presence are more than physical but a bonding of the hearts that Ms. King beautifully sings to us in her classic So Far Away:

So far away
Doesn’t anybody stay in one place anymore?
It would be so fine to see your face at my door
Doesn’t help to know you’re just time away
Long ago, I reached for you and there you stood
Holding you again could only do me good
How I wish I could, but you’re so far away

One more song about movin’ along the highway
Can’t say much of anything that’s new
If I could only work this life out my way
I’d rather spend it bein’ close to you

In this age of modern communications, how ironic that we are brought closer with those so far from us by distance but have caused us too to be distant from those nearest to us. The Risen Jesus Christ tells us this Sunday that being close, remaining in love happens even without seeing the other person for as long as our heart is attuned with the one we love. What really happens is that for as long we keep that love in our hearts, even if our beloved is gone or far from us, the more we experience his/her presence in their absence.

Let Ms. Carole King bring back those loving moments we had.

From Youtube.com.

“Sweet Thing” (1975) by Rufus & Chaka Khan

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 21 April 2024
Photo by author, Anvaya Cove in Morong, Bataan, 15 April 2024.

Today is the Good Shepherd Sunday and we take a classic number from the lovely shepherdess of R&B and Soul, Ms. Chaka Khan with her 1975 hit Sweet Thing as vocalist of the group Rufus.

What I like most with Ms. Khan’s music next to her great voice and instrumentations being a percussionist herself is her ability to open us up to the woman’s heart and feelings. Her songs are so womanly that reveal the inner dynamics of womanhood we take for granted. (See our other piece, https://lordmychef.com/2021/06/27/through-the-fire-by-chaka-khan-1984/). That is why we find her so much like a good shepherdess leading us to find expressions of our love.

When Jesus Christ declared “I am the good shepherd who lays down his life”, He was expressing something more than His mission but His very being as “the Gift and the Giver” at the same time of this most precious thing called love.

The same thing is true when friends and lovers separate either because they have found other loves to pursue or worst, have fallen out of love with us despite all our love for them. It is the most unkindest cut of all breakups and separations, excruciatingly painful as we blindly give up our relationships ironically for love. More than the persons and circumstances involved, we freely choose to let go – magparaya in Filipino – because deep in our wounded and hollowed heart is the hope they may grow in their new love.

Here we are like Jesus the Good Shepherd because even in the death of our relationships is still found our love. Like Jesus Christ, we do not simply give something but our very selves. The Jesuit theologian Karl Rahner beautifully expressed this when he described Jesus is both “the Gift and the Giver.”

https://lordmychef.com/2024/04/20/jesus-our-good-shepherd-the-gift-the-giver-himself/

This is very evident in Sweet Thing which Ms. Khan co-wrote with Tony Maiden.

I will love you anyway
Even if you cannot stay
I think you are the one for me
Here is where you ought to be
I just want to satisfy you
Though you’re not mine
I can’t deny you
Don’t you hear me talking baby?
Love me now or I’ll go crazy

Oh sweet thing
Don’t you know you’re my everything?
Oh sweet thing
Don’t you know you’re my everything?
Yes, you are

I wish you were my lover
But you act so undercover
To love you child my whole life long
Be it right, or be it wrong
I’m only what you make me, baby
Don’t walk away, don’t be so shady
Don’t want your mind, don’t want your money
These words I say, they may sound funny, but

Isn’t it so sweet!? Beginning with its guitar intro lately making rounds in social media courtesy of Prince’s unplugged cover, Sweet Thing is an overload of love and self-giving, of how a woman in her great love for a man is willing to let go of him because of love.

When we speak of love, we use comparisons and analogies and yet, they are not enough. How much more when we speak of the love of God, a love so sublime like Ms. Khan’s Sweet Thing?

In that case, we sing like Ms. Khan and her other co-shepherds of souls with their music that captures our deepest feelings and convictions in life. Like Jesus in saying “I am the good shepherd” which is more than a declaration of His mission but of His self-giving in love, Ms. Khan’s Sweet Thing reminds us of this tremendous grace to love like God despite the pains and hurts we go through in loving selflessly.

Let’s hear it from Ms. Chaka Khan herself.

From YouTube.com

“Ghost in You” by Psychedelic Furs (1984)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 14 April 2024
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 20 March 2024.

We go punk this Sunday with the 1984 hit Ghost in You by the British band Psychedelic Furs more known to our generation with the song Pretty in Pink that was eventually made into a movie though not necessarily an interpretation of the music itself.

Ghost in You was written by the Psychedelic Furs’ lead vocalist Richard Butler, their second single from their fourth studio album Mirror Moves released in 1984. It is another poignant love song about someone most probably gone yet still so loved. The music and lyrics are very mysterious that we feel it perfectly captures our reflection this third Sunday Easter on the meaning of Christ’s Resurrection which is getting real as opposed with how young people today use the word “ghost” and “ghosting” which is to leave behind or drop like a hot potato. Our Filipino expression say it so well: to be ghosted is “iwanan sa ere” or to be left hanging.

In our gospel this Sunday, Luke tells us how the disciple thought Jesus was a ghost when He appeared to them anew after Easter; Jesus read their minds and clarified He was not a ghost but truly alive with flesh and bones.

The Filipino expression says it all completely, iniwan sa ere which is worst than the English expression “dropped like a hot potato”. To be ghosted is to be betrayed, to be taken for granted, to be discarded like a thing. It is utter lack of respect to another person. Worst, it is lack of life full of pessimism and indifference to life itself.

https://lordmychef.com/2024/04/13/easter-is-getting-real-not-ghosting/

In Ghost in You, Butler tells us how he seemed to have been ghosted by his beloved for reasons not so clear. And we go with him, in his pains and deep longing to be loved in return by his beloved.

A man in my shoes runs a light
And all the papers lied tonight
But falling over you
Is the news of the day
Angels fall like rain
And love is all of heaven away
Inside you the time moves

And she don’t fade
The ghost in you
She don’t fade
Inside you the time moves
And she don’t fade

Notice how the lover declares his deep love that is so pure, “all of heaven away” that remains within him through time like a ghost “And she don’t fade/ The ghost in you/ She don’t fade”.

About ten years ago, we used to pass by a billboard somewhere in the Banaue-C3 area in Quezon City that says “True love is like ghosts, which everybody talks about and only a few have seen.” It is quote from French moralist Francoise de la Rochefoucauld (163-1680).

Very true!

Like our reflection this Sunday, Easter calls us to be real, not like ghosts. The Psychedelic Furs’ Ghost in You is great music because we all go through it some times even many times. Easter tells us to get real and move on with life.

Jesus Christ is not a ghost. Had never and would never ever ghost us because He is faithful, truly alive and truly present with us especially in our darkest and emptiest moments in life. Many times, we do not see nor recognize Him because we are so focused at how we were ghosted especially by loved ones.

https://lordmychef.com/2024/04/13/easter-is-getting-real-not-ghosting/

Here’s one of our favorite music in the 1980’s worth listening to today to see how far we have gone real, especially in our love. Or, have we remained ghosted?

From YouTube.com.

“Love Will Come Someday” by David Sanborn (1982)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 07 April 2024
Photo by author at the refectory of Sacred Heart Novitiate, Novaliches, QC, 18 March 2024.

We turn to jazz this Second Sunday in Easter in order to express the meaning of Jesus Christ’s Resurrection that is simply too deep for words because of its intense nature. Unlike Christmas that lights up our minds with so many images, Easter is different in the sense that it is something we have to feel and dig deep down inside us to really appreciate. Like jazz music that stirs our souls with its unique sounds that enable us to touch our very being.

For this Sunday we have chosen David Sanborn’s Love Will Come Someday from his 1982 album As We Speak because it captures the spirit of this Easter Octave also known as Divine Mercy Sunday when Jesus appeared to His disciples inside a locked room for fears from the Jews on the very night of His Resurrection. We reflected in our previous blog that the Resurrection of Jesus opened a new dimension in human existence when we could no longer be held hostage or captive by even the most difficult plight in life with Jesus opening many possibilities for us even while in this life (https://lordmychef.com/2024/04/06/easter-is-new-existence-in-christ/).

Sanborn’s almost two minutes of sax introduction to his Love Will Come Someday gives us the feel of the prevailing setting of Easter and life wherein there is the constant presence of darkness and emptiness where we also find Christ’s light and fullness. Sanborn has been a session musician collaborating with almost every big name in the music scene across all genres. His sax is so soothing yet penetrating that brings out even those things we have been hiding deep inside us resulting in a sort of catharsis which is very Easter too!

Written by Michael Sembello and David Batteau with the latter doing the vocals, Love Will Come Someday is a poignant song of the ups and downs not only of love but of life itself. Very often, like the darkness and emptiness we find in the Easter stories since last week, we find our lives in the same setting too when we could not figure out exactly or right away at why or how certain things happen in our lives despite our best efforts.

Funny how the legends die
When heroes never come alive in the day time
Funny we can be sad
It doesn’t have be so bad in the night time

You want know where they
The songs all go in your life time
One of these we’ll go
And find out where they stay

Once upon a lovers song
There was a boy who sang along in the night time
Once upon a lovers dream
There was a tale of broken wings in the day time

But, there are times when suddenly, Jesus comes to us amid all locked doors, appearing to us, extricating us from difficult situations that amid great joy, we could not believe it happening at all that we doubt like Thomas simply because they are so surreal!

And there lies the mystery of life and love, of Easter: visions and images are not so important because it is the intensity within us which makes Jesus and those we love so present that we respond with more love and adoration.

Catch a piece falling star
Try to keep in a jar till the morning
Catch a summer firefly
Willing it’ll stay alive till the morning

You want to know where did the songs all go
In your life time
One of these days we’ll go and find out
Where they stay

Love will come someday
Love will find a way
Love will come someday
Love will find a way

The songs that I sing, the songs that I bring
The songs that I sing, the songs that I bring
The songs that I sing, the songs that I bring, yeah, yeah

As we mature and journey in this life, the more we find God and our very selves and those we know more real, more loved and lovable. In the end, love always finds a way someday. Like Thomas, we just have to believe in order to see. Here is David Sanborn and to those belonging to my generation, cheers to the music we grew up with, hoping the younger ones find these treasures too.

From YouTube.com

“Is It Over” by Ronnie Milsap (1983)

The Lord Is My Chef Sunday Music, 31 March 2024
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 20 March 2024.

Blessed happy Easter everyone! We take a melancholic love song on this day of celebrating the triumph of love in Jesus Christ’s Resurrection because Easter is a continuing journey with Him, in Him and through Him amid darkness and emptiness in life (https://lordmychef.com/2024/03/30/easter-is-signs-scripture-together-always/).

Like the story of that first Easter morning while still dark when Mary Magdalene and later Simon Peter with the beloved disciple found the tomb of Jesus empty except for His burial cloths neatly folded to indicate the Lord’s rising from the dead, Ronnie Milsap’s 1983 hit Is It Over speaks a lot of the essence of Easter about faith in the love of Jesus Christ.

Milsap’s Is it Over invites his beloved to sincerely search her heart to get over her former relationship so that theirs would flourish and grow; in the same manner, we need to get over our Good Fridays in order to experience the glory of Easter Sundays in life.

Is it over, are you really over him
Is it over, or will you take him back again
If it’s over you can let his memory in
Come on over, we’ll let our love begin.

You say you can’t count the times that he’s hurt you
And he’s hurt you for the last time
Now you say I’m the one that you’re needing
But is the need in your heart or just in your mind.

Is it over, are you really over him
Is it over, or will you take him back again
If it’s over you can let his memory in
Come on over, we’ll let our love begin.

Like Jesus calling us every day in our lives to come over to Him by leaving behind our past hurts, Is it Over tells on the need to move on in life, to embrace the present by learning from the past. Most of all, of the need to confront one’s true self in the heart, not just in the mind in order to move on in life.

Milsap’s music and voice are uniquely refreshing that sound very Easter perhaps due to his personal experiences. Born partially blind and abandoned by his mother after birth, Milsap grew up in poverty with his grandparents in the Smoky Mountains of North Carolina. Despite his handicap and poverty, he was found exceptionally brilliant and talented even while in his early childhood when he was sent to a school for the blind at the age of five where he developed his musical talent at age seven. He was later sent to Governor Moorehead to formally begin studies in classical music. It was there in his early teens when Mislap learned to play several musical instruments and chose to master the piano.

At age 14, Milsap became totally blind after being slapped on his left eye by one of the houseparents but that never affected his pursuits in learning as well as music. He was able to finish college through scholarships and was already in law school as a full scholar when he decided to leave to concentrate in music in 1964.

He met his wife Joyce Reeves in one of their gigs the following year, got married and remained together until her death in 2021 due to cancer. They had a son, Ronald who died in 2019 aged 49 apparently due to a medical condition

Is It Over follows the style of Milsap’s earlier and biggest breakthrough in 1977, It Was almost Like a Song that topped the Billboard charts in many categories. Both songs are very popular among us Filipinos who are certified romantics.

Now aged 81, Milsap remains active in the music scene as a composer, collaborating with some of the biggest names in the industry. His life is a beautiful example of the Easter glory amid many darkness and emptiness. Although officially retired, it isn’t over yet for Mislap as he continues to record and busies himself with a podcast as well as an amateur radio enthusiast.

Here now is Milsap’s lovely song, Is It Over.

From YouTube.com