The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 15 May 2023
Photo by author, Jesuit Cemetery at the Sacred Heart Novitiate, Novaliches, Quezon City, 21 March 2023.
Hello dear friends! After almost a year of absence, we are back with our featured music we find related with our Sunday Mass gospel yesterday when Jesus told his disciples to keep his commandment of love as he prepared them for his approaching Passion, Death, and Resurrection leading to his Ascension.
In our homily, we have reflected that loving entails suffering.
And the most painful suffering in loving is when our beloved leaves us, whether temporarily or permanently like in death (https://lordmychef.com/2023/05/14/loving-living-leaving/) or infidelity of a partner in any relationship.
The song “Everytime You Go Away” captures that pain of leaving, of being left behind by a beloved because every leaving tears him apart as she takes a piece of him.
And everytime you go away
You take a piece of me with you
And everytime you go away
You take a piece of me with you, you
Sharing with you that part of our homily yeterday:
“Leaving is the most painful part of loving because every time a beloved leaves us, he/she takes a part of us, leaving us hollowed for the rest of our lives. The pain remains, leaving a hole in us. We merely transcend and move on but that hole remains. This is where loving and living become most challenging, most beautiful as they lead us to more amazing revelations as Christ had promised: “And whoever loves me will be loved by my Father, and I will love him and reveal myself to him” (Jn.14:21).
When we continue to love and live despite our loved ones leaving us, we soon realize that life is actually more of a series of coming than of leaving. When children leave home to go to college, they come to new sage in their lives; when they get married and leave home, they come to form their own family too! When a beloved leaves us in death, he/she comes to eternal life.
Meanwhile, we who are left behind live on, loving amid the pains of a beloved’s leaving, risking and hoping in love. That is when new things open up for us as we slowly discover many other things that do not necessarily replace the one we love and left us but actually make them more present in their absence. That is because we sooner or later find out that we have become like the ones we love who have left us! We are slowly transformed by their physical absence because their leaving had pushed us to love more that in the process, we have become like them. Is it not that is the reason of love, that we become like the one we love, be it God or another person?”
Everytime You Go Away was composed by Daryl Hall in 1980 that was included in their studio album Voices with John Oates. It was covered by Paul Young in 1985 and became an instant hit worldwide.
We prefer the Hall & Oates original not only because we are a big fan of the dynamic duo ever since the 80’s but we find Paul Young’s version so pop and light, even cheesy. Daryl Hall’s version is still the best, so heart-felt rendition as you could feel his soul in his impressive vocals that are so powerful yet, so lovingly muy simpatico! Here is a man truly in love despite the pains and hurts by his girlfriend’s leaving and infidelity. Worth mentioning too are the great instrumentations so characteristic of every Hall & Oates music that are mostly considered now as classics.
Hear now and listen to Hall & Oates’ Everytime You Go Away… fall in love again despite the loss.
We have no intentions of infringing into the copyrights of this music and its uploader except to share its beauty and listening pleasure.
Lawiswis ng Salita ni P. Nicanor F. Lalog II, Ika-29 ng Disyembre 2022
*Isang tula bunsod ng nakatutuwa na awitin ng Mayonnaise.
Sino ka nga ba, Jopay?
Ako ay nakikisabay,
nakikibagay sa sayaw at ingay
pero pramis,
ang sarap sumakay
sa awit sa iyo ay alay!
Jopay,
gusto ko rin umuwi sa bahay
simpleng buhay
hawak lang pamaypay
sabay kaway kaway
maski kaaway!
Kung sino ka man, Jopay,
totoo sabi nila sa iyo:
minsan masarap umalis
sa tunay na mundo,
walang gulo -
pero wala ding tao!
Kaya kung ako sa iyo,
Jopay, kakanta na lang ako
sabay sayaw:
spaghetti pababa
spaghetti pataas
ganyan ang buhay, Jopay,
isang magandang sayaw
lalo na kung iyong kasabay
mahal sa buhay
mga kaibigan
hindi ka iiwan
maski kelan.
Mayroon tayong
isang kasabay
sa sayaw ng buhay, Jopay:
tunay ka kaibigan
huwag lang siya ang mawawala
tiyak ika'y matutuwa
sa hapis at lungkot
hirap at dusa
hindi mo alintana
mga ito'y nalampasan mo na
siya palagi mong kasama
hanggang sa bahay ng Ama!
Pasensiya ka na, Jopay
ako ma'y walang kasama
at kausap dito sa bahay
sa mundong magulo;
naisip ko lang tumula para sa iyo
at sa mga kagaya mo
palaging masaya sa paningin
pero maraming kinikimkim
saloobin at pasanin
kaya isang taus-pusong panalangin
aking alay sa inyo,
para lumigaya kayo!
*We have no intentions of infringing into the copyrights of this music and its uploader except to share its beauty and listening pleasure.
The Lord Is My Chef Sunday Recipe by Fr. Nicanor F. Lalog II
Thirty-First Sunday in Ordinary Time, Cycle C, 30 October 2022
Wisdom 11:22-12:2 ><000'> 2 Thessalonians 1:11-2:2 ><000'> Luke 19:1-10
You must have heard so many times that rap music called Moon used as background music in almost every video posted on social media. The lyrics and its beat are simply amusing, easy to follow so fitted on everything including this Sunday’s gospel!
Sa'n ka punta? To the moon
Road trip, vroom, vroom
Skrr, skrr, zoom, zoom
So fake, no room, mga mata namumula
Asan ang trees, nadala mo ba?
Bawal ang tus at peke sa byahe
Kung isa ka d'yan, ika'y bumaba...
Written and performed by a certain Nik Makino, Moon speaks of a young man’s ambition of getting rich through rap music; he is also aware of the fact that his dream is so “high like the sky” with everyone’s eyes prying on him as he strives so hard in working while still young.
I gotta mission, pumunta sa top
Buhay mahirap, gawing masarap
Gawa ng milyon, gamit ang rap
Iwanan kasama na puro panggap
'Di mo 'ko magets, pangarap ay highs
Singtaas ng jets, tingala sa sky...
I have been asking some young people about the rap and mostly are stunned why I listen and so interested with it especially when I rap it too, saying how they find it so baduy (crass), meaningless or “walang kuwenta” with some calling it as ugly or “pangit”.
And that is how I realized this rap music Moon is so related with this Sunday’s gospel about Zacchaeus the tax collector who climbed a tree to see Jesus while passing by the city of Jericho.
At that time, Jesus came to Jericho and intended to pass through the town. Now a man there named Zacchaeus, who was a chief tax collector and also a wealthy man, was seeking to see who Jesus was; but he could not see him because of the crowd, for he was short in stature. So he ran ahead and climbed a sycamore tree in order to see Jesus, who was about to pass that way. When he reached the place, Jesus looked up and said to him, “Zacchaeus, come down quickly, for today I must stay at your house.” And he came down quickly and received him with joy.
Luke 19:1-6
Again, only Luke has this story about Zacchaeus met by Jesus in Jericho, his final stop before entering the city of Jerusalem for his Passion, Death, and Resurrection.
Keep in mind that Luke’s narration of the Lord’s journey to Jerusalem is more of an inner journey into ourselves than found in maps. What happened in Jericho shows the importance of the events that would take place at Jerusalem when Jesus offered himself for our salvation and how we can participate in his pasch through the example of Zacchaeus who reformed his life.
Unlike the parable last Sunday, here we have a real tax collector named Zacchaeus described by Luke as a “wealthy man”. Notice how Luke described Zacchaeus was “short in stature” which is not only literal but most of all figurative in meaning. Like the publican in last week’s parable by Jesus, tax collectors were despised by Jews at that time who were seen along the ranks of prostitutes as the worst of all sinners because they were not only thieves but also traitors who collaborated with their Roman colonizers.
Calling Zacchaeus as “short in stature” was really something else, that he was nothing at all. That is why he had to exert so much to see Jesus by climbing a sycamore tree. And there lies the beauty of the story, of how God had come in Jesus to meet us and save us.
When they all saw this, they began to grumble, saying, “He has gone to stay at the house of a sinner.” But Zacchaeus stood there and said to the Lord, “Behold, half of my possessions, I shall give to the poor, and if I have extorted anything from anyone I shall repay it four times over.” And Jesus said to him, “Today salvation has come to this house because this man too is a descendant of Abraham. For the Son of Man has come to seek and to save what was lost.”
Luke 19:7-10
This is the most startling move by Jesus in this event at Jericho that is repeated in many instances in Luke’s gospel account to show God’s loving mercy to all sinners who humbly make the efforts to come to him, to see him, and experience his healing and forgiveness.
Luke had repeatedly shown us this unexpected and even shocking gesture of Jesus to everyone – then and now – at how he would favor sinners and bad people like that sinful woman who poured oil on his feet while dining at the home of a Pharisee (Lk. 7:36-50) and Dimas, the “good thief” on the cross to whom he promised paradise (Lk.23:39-43).
Jesus always comes to meet us but are we willing to meet him too like Zacchaeus? How far are we willing to truly embrace and welcome Jesus by letting go of ourselves, of our sins and other possessions?
If we could just have that sense of sinfulness again, we would realize that in this world, we are all small in stature before God. All these titles and wealth that seem to give prestige to us are all temporary and nothing. What God looks in us is our admission of our being small in stature before him, of being powerless like the persistent widow the other Sunday and the publican last week begging his mercy for we are all sinful.
Imagine that beautiful image of Jesus passing through Jericho, coming to our daily lives, making a stop over right in our hearts to stay and dwell. Most of all, see at how Jesus looks up to find us!
I love that gesture of Jesus looking up to us so much. Normally, we are the ones who look up to God up in the sky, heavenwards when asking for his mercy and favors. But there are many times that it is Jesus our Lord and God who looks up to us mere mortals who are so small in stature before him! What happened at Jericho under that sycamore tree was a prefiguration of what would take place at the Last Supper when Jesus washed the disciples’ feet, of how he bowed down before them and looked up while wiping their feet dry. So wonderful! And that happens every day when we go back to him, when we do everything to get out of our way just to go to Mass, most especially to Confessions.
In the first reading, we are reminded how we are nothing before God but he chose to preserve us, to save us because he loves us so much:
“Before the Lord the whole universe is as a grain from a balance, or a drop of morning dew come down upon the earth. But you have mercy on all, because you can do all things; and you overlook the sins of men that they may repent. But you spare all things, because they are yours, O Lord and lover of souls.
Wisdom 11:22-23, 25
There is no doubt about the love of God for us, of his mercy and forgiveness expressed to us in his Son Jesus Christ who comes to us everyday in various events in our lives, in the people we meet and most especially in our individual and communal prayers like the Mass and Sacraments.
Jesus is always passing by and would surely come again as St. Paul assured us in the second reading.
The grace of this final Sunday of October as we go to the last stretch of the Church calendar this coming November is that God gives us freely the grace daily to make the efforts in meeting his Son Jesus. Every day.
Our desire to rise above our present state and status is an expression of that grace within us to become better although many times due to other factors, we misconstrue this in aspiring for material things like wealth and money as the rap Moon tells us. But on a deeper reflection as we continue in our journey in this life, we realize sooner or later that more than the things we can physically have, there are always more precious than these.
Like going to the moon, of being high up there in the sky, being one with God, enjoying his peace and salvation.
Like Zacchaeus and, Nik Makino, let us continue our roadtrip to the Moon in Jesus Christ by being true to ourselves – vroom, vroom, skrr, skrr, zoom, zoom – that we are beloved sinners and children of God.
Tara bumyahe pa-ulap
Sakto 'yung auto ko full tank
Pero kahit maubusan, paangat tayo tutulak
Bawal na muna ang pabigat
Lalo sa byahe na palipad
Kailangan kong makatiyak
Bago magka-edad, 'di na 'ko taghirap
Alam kong marami ang nakamasid
Dama ko marami ang naka-abang
Kung ano 'yung mga kaya kong gawin
Malamang ay 'di nila nagagawa
Kaya siguro lagi nakatingin
Kasi 'yon na lamang magagawa
Inaabangan ako na mawala
Kaso lang ang malala nadapa kakatingala.
Stay safe everyone and dry during these storms. Have a blessed week! Amen.
*Photo credits: Moon over the city by Mr. Raffy Tima of GMA-7 News (2022); second and third by the author at Jericho, Israel (2019); fourth and fifth also by author in Tanay and Pililla in Rizal (2021).
I'm 15 for a moment
Caught in between ten and 20
And I'm just dreaming
Counting the ways to where you are
I'm 22 for a moment
And she feels better than ever
And we're on fire
Making our way back from Mars
The piano, the voice and the lyrics were unmistakably Five for Fighting when I heard it played again after a very long time at the 40th day of the death of a young college student in our parish recently.
It was only then when I truly appreciated this 2003 hit “100 Years” after realizing its deeper implications about life and death leading to eternity. Besides, there were some interesting things about the song and the deceased young man who was also a talented pianist like Five for Fighting himself – Vladimir John Ondasik III. Most of all, the deceased young man I have celebrated Mass for was aged 22 like the character depicted in the song 100 Years.
Celebrating Mass at the funeral of a child, whether an infant or a grown-up is the most difficult one for me. Normally, we children bury our parents but, it is so different when children die ahead of their parents and even grandparents. As a priest, I could feel the pain of the grieving parents in losing their son or daughter even if I totally do not know them at all. Yet, it is a grace of the priesthood that while we are emotionally affected by grieving parents we hardly know that we are likewise uplifted in identifying with Jesus who had brought back to life a dead young man at Nain after being moved with pity for the man’s widowed mother (Lk.7:11-15).
Photo by author, Pangasinan, April 2022.
Notice that Jesus brought back to life the dead young man because of pity for his mother, not because he pitied the dead son. God tells us in the Old Testament that he is saddened with the death of even just one of us but the event at Nain shows us how the eyes of the Lord are always with those left behind especially mothers because they are indeed the most pitiable in losing a child who would always be a part of them. Moreover, life is most difficult for those left behind who have to continue to bear all pains and sufferings while their departed loved ones rest in peace in eternity. And here lies the call of Jesus for us all to help those grieving to rise again and move on with life after the death of a beloved, especially of a child.
We shall talk about this later and let us just remain a little more with the reality of death.
Although 100 Years is a soft-rock ballad about a love relationship, it is very philosophical, in fact a Martin Heidegger, in calling for “authentic living” because we are all “being-towards-death”. While the song is generally a “feel good” piece, it reminds us of that reality we refuse to accept that coming to terms with death is coming to terms with life. It is when we are faced with the “existential” possibility of death that we begin to see the beauty of life and the joy of living.
15, there's still time for you
Time to buy and time to lose yourself within a morning star
15, I'm alright with you
15, there's never a wish better than this
When you've only got a hundred years to live
Half time goes by, suddenly you're wise
Another blink of an eye, 67 is gone
The sun is getting high
We're moving on
Truly, as the song tells us, our life is precious – whether you are 15 or 22 or 33 or 45 or 67 or 99 – because it could all be gone in a moment or a blink! Like Heidegger, Five for Fighting is calling us in his song to cherish each one’s presence with more love and kindness, care and understanding, with a lot of mercy and forgiveness because we live only for a period of time like 100 Years.
St. Paul also spoke of this constant awareness of death, of how “the world in its present form is passing away” (1 Cor. 7:31) that we should live authentically as Christians. This pandemic has taught us in the most strongest terms this truth, not only with actually dying but also of being prevented from spending precious moments with our dead’s remains! May we not forget this pandemic’s lesson of living in the present moment as if it is also your final moment in life, of cherishing each other always because true riches are found only in God through one another as Jesus reminded us in last Sunday’s gospel (Lk.16:11).
Photo by Ms. Jo Villafuerte, Atok, Benguet, September 2019.
To live is to love. What we need are more people, more children, more friends to celebrate life with. Like God, friends and family do not perish; they live on even if we do not see them because they just move on to higher level of existence. Unlike money and wealth, power and fame, and other material things that perish and become obsolete after a year.
Our weekday readings these past week teemed with so many beautiful nuggets of wisdom about people and relationships learned at the heels of death: the centurion who sent for Jesus for the healing of his slave who “was valuable to him” (Lk.7:2) on Monday; praying for those who grieve like that widowed mother in Nain (Lk.7:13) on Tuesday; and last Wednesday at the Feast of the Exaltation of the Cross we were reminded of our transformation through life’s sufferings or little deaths in life; and, finally on Thursday at the memorial of Our Lady of Sorrows, of how we are invited to imitate Mary who remained at the foot of the Cross on Good Friday with her dying Son Jesus Christ. Here we find how death has become a blessing when seen in the light of Jesus and his Cross as witnessed by the Blessed Mother and preached by St. Paul.
This positive aspect of death as a blessing is wonderfully portrayed in the music video of 100 Years set in an isolated place in soft shades of dark blue and green, with some hues of grey evoking a deep sense of peace and tranquility minus the morbidity. Laid-back and relaxed, perhaps. Of course, Five for Fighting’s trademark piano makes the music video so lovely, so appealing, giving a joyful note on death’s certainty leading to eternity.
I'm 99 for a moment
And dying for just another moment
And I'm just dreaming
Counting the ways to where you are
15, there's still time for you
22, I feel her too
33, you're on your way
Every day's a new day
At the start of the music video of 100 Years, we find a younger man playing the piano before Five for Fighting appears singing. That shifting of the younger and older Ondasik would happen about six times maybe interspersed with other characters coming to play the piano too until in the end he leaves to walk toward a big tree to meet his older self. Or God maybe.
Photo by Mr. Jay Javier, “Acacias”, UP Diliman, QC, April 2022.
That big tree seems to convey something like paradise, a gateway to eternity where time is totally held in completeness with everything at the present moment shown by Five for Fighting’s repeated returns to climb the big tree to look at his younger self kissing his first girlfriend until toward the end, he fell from the tree as if he had died only to be seen singing while playing the piano again. It was reminiscent of one of the final scenes in the 1990 movie Flatliners with Kiefer Sutherland trying to amend his childhood sin and crime in pushing to death his playmate from a similar big tree; Sutherland was eventually forgiven when during an induced “flatline” he was able to go back to his past to apologize to his dead playmate with a reversal of role, of him as an adult in the present moment falling from the big tree.
It was after that scene of falling from the big tree when Five for Fighting had awakened singing and playing the piano again when he finally stood to walk back to the big tree to meet his older self, or maybe God — something like Easter.
On the first day of the week, Mary of Magdalene came to the tomb early in the morning, while it was still dark, and saw the stone removed from the tomb. Mary stayed outside the tomb weeping. And as she wept, she bent over into the tomb and saw two angels in white sitting there, one at the head and one at the feet where the Body of Jesus had been. And they said to her, “Woman, why are you weeping?” She said to them, “They have taken by Lord, and I don’t know where they laid him.” When she had said this, she turned around and saw Jesus there, but did not know it was Jesus.
John 20: 1, 11-14
“Noli me tangere” (touch me not) fresco in the Lower Basilica of St. Francis Assisi Church in Italy painted by Giotto de Bondone in the 13th century from commons.wikimedia.org.
Like on that Easter morning, there will always be the darkness of death but only for a moment if we keep our eyes and our hearts open to Jesus who had risen. Many times we are like Mary Magdalene grieving and weeping that we fail to see the light of Jesus and of our deceased staying with us right in the darkness of grief and death that envelop us. And like Mary, we keep on insisting in relating with them in our old, physical level, forgetting the fact they have risen with Jesus to new life, to new realm of existence.
Jesus said to her, “Mary!” She turned and said to him in Hebrew, “Rabbouni,” which means Teacher. Jesus said to her, “Stop holding on to me, for I have not yet ascended to the Father. But go to my brothers and tell them, ‘I am going to my Father and your Father, to my God and your God.’” Mary of Magdalene went and announced to the disciples, “I have seen the Lord,” and then reported what he told her.
John 20:16-18
“Stop holding on to me” or “noli me tangere – touch me not” are the words also meant for us today who continue to cling and hold to our departed loved ones like Mary Magdalene, still hoping to hug and kiss them again, to touch and tell them how much we loved them or perhaps say sorry for our sins and lapses when they were still around. It is time to level up in our relationships with them as Five for Fighting reminds us in the last stanza that “every day is a new day”.
It does not really matter if we, or they our departed, are just 15 or 22 or 33 or 45 or 67 or 99 — what is most important is we value each moment of our lives here and now where in the present we meet them once or twice if we are living fully and not blinded by our grief and wishful thinking. Have faith in God. Someday, we shall all be together. For the moment, here is Five for Fighting with his100 Years. May the Lord console you and raise you up to move forward again in life. Amen.
*We have no intentions of infringing into the copyrights of this music and its uploader except to share its beauty and listening pleasure.
The Lord Is My Chef Sunday Music by Fr. Nick F. Lalog II, 19 June 2022
Photo by author, 19 April 2022.
With everybody greeting dads this Father’s day, we have decided to feature Kalapana’s first major hit from their first album in 1975 called “The Hurt” to remind everyone of the many hurts most dads have.
It is most fitting too with our gospel on this Sunday when we also celebrate the Solemnity of the Body and Blood of Jesus Christ when we are reminded that everybody is a somebody, everyone has to be loved and respected because we are all members of the Body of Christ. How sad that since the time of Christ, many people still take some persons as nobody especially those considered as ordinary people, those without power and wealth (https://lordmychef.com/2022/06/18/corpus-christi-everybody-a-somebody/).
The Hawaii-based group so famous in the country during the 70’s not only for their music but also for their looks produced some of the coolest sounds and romantic lines on that famous decade; it is just sad that the three original members of the four-man band had all died very young.
The Hurt is about a man who seems to have had his karma after fooling for sometime that now either he was dumped by his girlfriend or being played by her as her lover despite her going out with other men. It is the beat of the music that makes this so lively and appealing, especially the oft-repeated word “hurt, hurt, hurt” especially at the end of the song.
But still, the song is nice with a gospel-message challenging us if we would hurt the one who especially loves us and cares for us. The person may be your boyfriend or husband, could be our dad, or may be your girlfriend or wife, or anyone who truly loves you.
Oh you say you’re mine And I believe you every single time Even though they say you’re not my kind I just can’t believe you’d lie Oh all my friends are laughing Seeing you out with other men I’m dying Can’t you see it in my eyes I’m cryin’ I just cant believe you’re not mine
Would you hurt the man who loves you Would you hurt the man today Would you take the love you gave me away Would you hurt the man who loves you Would you hurt the man today Would you take the love you gave me away
Oh what have I done All the time I guess it was just fun I gave away this Sweetest girl I knew Oh, just for you
Would you hurt the man who loves you Would you hurt the man today Would you take the love you gave me away Would you hurt the man who loves you Would you hurt the man today Would you take the love you gave me away
Just don’ hurt anyone, physically and emotionally speaking. Have a blessed week ahead!
*We have no intentions of infringing into the copyrights of this music and its uploader except to share its beauty and listening pleasure.
The Lord Is My Chef Sunday Music by Fr. Nick F. Lalog II, 01 May 2022
Photo by Ms. Jing Rey Henderson in Dumaguete City, Negros Oriental, 27 April 2022.
Every Gospel proclaimed in our Eucharistic celebrations is always about the immense love of God for us expressed in the Passion, Death and Resurrection of his Son Jesus Christ our Lord.
But there is something so lovely in this Sunday’s story about the third appearance of Jesus to his disciples at the shores of Lake Tiberias that calls us to be in love with the Lord also in order to see and experience his daily coming to our lives, something which the Stylistics expressed in their first gold disc that sold over one million copies in 1971, their song “You Are Everything”.
Today I saw somebody
Who looked just like you
She walked like you do
I thought it was you
As she turned the corner
I called out your name
I felt so ashamed
When it wasn't you,
wasn't you, oh, oh
You are everything and everything is you
Oh, oh you are everything and everything is you
Oh, oh, you are everything and everything is you
You Are Everything tells us of our common experience of always seeing, even hearing the ones we love even after they are long gone. It is love’s most unique power and quality that enable us to find our beloved everywhere because they are everything to us.
After a fruitless night of fishing, Jesus appeared to the disciples before dawn, telling them to cast their net to the right of their boat when suddenly they could not pull it with the plentiful catch! Seeing the great catch, John the beloved recognized the man at the shore as Jesus, telling Simon Peter “It is the Lord”! Only him recognized the Risen Lord after seeing the plentiful catch because he was the only one of the Twelve who truly loved Jesus by remaining at the foot of his Cross on Good Friday while the rest went into hiding.
Later after their breakfast, Jesus asked Peter thrice by addressing him in his real name of Simon, “Do you love me?” We are told that Peter was distressed after the third question by Jesus because he knew so well it had something to do with his three denials of the Lord on the night of his arrest and questioning by the Chief Priests. Peter’s response was so beautiful, admitting his guilt while at the same time professing his faith and love in the Lord by telling him, “Lord, you know everything; you know that I love you.”
So many times, we are like Peter: we know so well that Jesus knows even our most guarded sins and yet, we know that he perfectly knows too that despite our sins and weakness that we love him.
This is the grace of this third Sunday in Easter, that we remain in love with Jesus. We cannot follow nor meet Jesus whether in our blessedness or sinfulness unless we love him first of all. Jesus perfectly knows human love is imperfect; only he can love us perfectly. We do not have to pretend to be perfect before him; just be our true selves, sinful yet sorrowful, to surely meet him who never leaves our side for he alone is our everything.
Have a blessed week ahead!
*We have no intentions of infringing into the copyrights of this music and its uploader except to share its beauty and listening pleasure.
The Lord Is My Chef Sunday Music by Fr. Nick F. Lalog II, 10 April 2022
Photo by Arch. Philip Santiago, Lourdes, France, 2015.
All roads lead to churches today as we begin the holiest week of the year with the celebration of the Palm Sunday in the Lord’s Passion today reaching its highest point on Saturday evening with the Easter Vigil that leads to Easter Sunday, the mother of all feasts in the Catholic world.
Our celebration today is actually a combination of two practices in the earliest times of the Church that were only merged in 1963 during the reform of the liturgy at Vatican II: the procession and blessing of palms was the practice in Jerusalem as early as the 4th century while a hundred years later, the Pope in Rome ushered in the Holy Week with the proclamation of the passion narrative of Jesus Christ.
Hence, the long title of our celebration, Palm Sunday in the Lord’s Passion; however, it is not something we look back in the past but one that we make present in the here and now as we look forward in that future when we shall all be together celebrating eternal life in God’s presence in heaven.
That is the challenge of this Holy Week: how we can follow Jesus in his Passion and Death in order to be one with him in all eternity. Like the people in Jerusalem when he entered the city more than 2000 years ago, would we side with those who followed and believed him or be with those who mocked and jeered him? (https://lordmychef.com/2022/04/09/the-cross-our-door-to-heaven/)
That is the problem of the main character in the song When It Was Done which is a list of wishful thinkings of a man to a woman already in a relationship with another man. It seems the man was too slow or came late to do everything in order to win over the woman he loves and all he could do at the moment now is to wish of having her perhaps in the afterlife in the future.
If I could bind your mind to mine
In time I'd keep you from that world of his
If I could change the strangeness in your kind
Then I'd know where your soul is
Then I'd know what song I'd have to sing
To touch that chord within you
And I would weave such wonders
That when I was done I'd win you
If I could stand with the stars on either hand
And say, "This ain't the answer"
If I had been where you're goin'
But then I'll never be no dancer
And if I was I'd know what step to take
And laugh at what had freed me
And smash the great wall down, girl
When it was done you'd need me
If I could face the fait that waits to cast me
In the scramble
And sit across the velvet boards from God
Then I'd gamble
Then I'd know what chance I'd have to take
And before somebody sold you
I'd bet my soul against the stars
When it was done I'd hold you
When it was done I'd hold you
Composed in 1969 by Jimmy Webb and originally recorded that same year by Walter Wanderly Set, it became popular in 1970 after Hugo Montenegro released his version. Montenegro was a former US Navy musician who pioneered research and recordings in electronic music. His biggest break came in 1966 when he covered Ennio Moricone’s theme for the Clint Eastwood starrer The Good, the Bad and the Ugly that paved his way into a long career in creating music for movies and television series.
When It Was Done is one of the 200 songs covered by Montenegro he had waxed with his cool arrangements using modern electronic instruments and technologies of his time that gave his music a different feel, like in this piece that is very soothing with a sense of sublimity.
It is a very lovely and feel good music that reminds us too to do every effort in the present moment to express our love for others like Jesus Christ who until the end never ceased from doing good for everyone. It is in being like Jesus that we can truly sing Monetenegro’s When It Was Done more convincingly and truly. Amen.
*We have no intentions of infringing into the copyrights of this music and its uploader except to share its beauty and listening pleasure.
The Lord Is My Chef Sunday Music by Fr. Nick F. Lalog II, 10 October 2021
Photo by Dr. Mylene A. Santos, MD, 2020.
I used to tell my students before that a person is known more with the questions he/she asks than with the answers he/she gives. Too often, our answers are wrong or not certain but if we ask the right questions, even if we do not have the answers immediately, we shall get the right answer at the right time as we mature in life.
What matters most is we ask the right question always.
And that is why we have chosen “Question Me An Answer” from the 1973 movie of the 1933 novel The Lost Lost Horizon for our Sunday music this week. Written by Burt Bacharach and sang by the late Bobby Van in the movie, Question Me An Answer may sound very American and colonial but still, the message is never lost, especially if you listen well to Van’s introduction to his students at Shangri-La.
In this Sunday’s gospel, we find Jesus being asked by a man and then by Peter with questions we ourselves also ask sometimes because deep inside us, we are worried that no one can seem to provide us with the right answer.
As Jesus was setting out on a journey, a man ran up, knelt down before him, and asked him, “Good teacher, what must I do to inherit eternal life?”
Mark 10:17
According to Mark, the man’s “face fell and went away for he had many possessions” after Jesus had answered fully his question which in turn bothered Peter who began to express to Jesus his worry over his answer to the man who had left.
Peter began to say to him, “We have given up everything and followed you.”
Mark 10:28
One of the beauties of seeking and following Jesus are the endless questions that come along our journey with him. That is why we need to pray always and ask for the gift of wisdom so we may be guided in this life that becomes more wonderful with the questions we ask, not with the answers we give, or even get (https://lordmychef.com/2021/10/09/our-secret-worries-in-life/).
And the good news is, next to Jesus to accompany us in this journey in life is we also have great music keeping us company.
*We have no intentions of infringing into the copyrights of this music and its uploader except to share its beauty and listening pleasure.
The Lord Is My Chef Sunday Music by Fr. Nick F. Lalog II, 22 August
Photo by author, 2019.
A blessed Sunday everyone!
We continue with our Original Pilipino Music (OPM) this Sunday amid another surge in COVID-19 cases this week with numbers going into five-digits as we ironically downgrade into lower level in quarantine controls in the metropolis.
So as not to burden you with more worries, we have chosen something light and easy, refreshingly old from 1976 as our featured music courtesy of Mr. Bong Penera called “Samba Song” with English vocals by Ms. Norma Ramirez.
More than 20 years before the country was hooked with bossa nova in the early 2000, we have all been so delighted with many great Pinoy jazz artists in the mid-70’s to 80’s, thanks to WK-FM which is now back in the internet through the efforts of the original good guys of Brother Wayne and company.
We find Penera’s Samba Song related with this Sunday’s gospel which concludes Jesus Christ’s bread of life discourse wherein the people led by his own disciples left him to return to their old ways of life when they found his teachings so difficult to accept.
Life is like a dance, a samba of Brazil or any dance. You always need a partner to truly feel its music. We need somebody in life, someone we believe in, someone we love to join us in our dance, in our journey in life especially when things are not clear at all or when we are saddled with many problems and trials.
Kung gusto kong kumanta
At gusto ko ring sumayaw
Ako'y sumisipol saka malalaman
ako pala'y payasong walang kasayaw
Bakit tayo ganito
Mga puso nati'y mailap
Lumapit ka giliw at tayo'y magsamba
Kahit minsan man lamang.
One thing I like with OPM during the 70’s is its use of Taglish or Tagalog-English that had maintained a sense of elegance, whether the English lyrics were inserted as mere lines or as stanzas like in Penera’s Samba Song.
The first two stanzas were in Tagalog sang by Penera as an exposition of his feelings, of his longing for a partner, for his beloved to come and dance with him and live with him. Then comes the response by Ramirez expressing her same feelings in English.
And this is the time for that dance
I don't feel alone because
I know that you'll stay with me
to samba through life with me.
And there you have it! A great samba tune and meaning of life, of being together, of believing and loving like in the gospel when Simon Peter answered Jesus, “Lord, to whom shall we go? You have the words of eternal life. We have come to believe and are convinced that you are the Holy One of God” (Jn.6:68-69)
Let us try “to feel at home” in Peter’s company during this pandemic to be led to a similar faith insight and commitment in Jesus no matter how difficult it may be.
Faith is like love: we believe and love not because we are sure of ourselves but because we are sure of the one we believe and love. That is why we commit our lives to our beloved. It is not primarily because of us at the center but of the other. Like Jesus. Or a loved one.
The Lord Is My Chef Sunday Music by Fr. Nick F. Lalog II, 18 July 2021
Photo by Atty. Polaris Grace Rivas Beron, Mt. Sinai in Egyot, May 2019.
This is the second time we are featuring this lovely song from the 2013 movie Begin Again starring Keira Knightley, Mark Ruffalo and Maroon 5’s Adam Levine who also sang the same song in the said movie. But, like most people, we have always preferred Knightley’s version.
In Begin Again, Knightley is dumped for another woman her boyfriend Levine had met after signing up with a record studio in LA.
Knightley was naturally left broken-hearted and lost in New York City where she was discovered by a struggling recording executive (Ruffalo) in a local bar singing one of her songs.
It is a beautiful love story with excellent selection of songs but Lost Stars is the movie theme composed by Gregg Alexander with Danielle Brisebois that earned an Academy Award nomination for best original song that year.
It captures so well the pains and fears of being lost with no one to turn to which is part of the theme of our Sunday Mass readings when Jesus was moved with pity upon seeing the crowd who have followed them for they were “like sheep without a shepherd” (https://lordmychef.com/2021/07/17/being-lost-getting-lost-in-christ/).
But, being lost is not totally a loss at all like what Knightley – and Ruffalo – have both realized in the movie for their losses led them to gaining back everything they have initially lost like family and career, most of all, one’s self.
Cupid's demanding back his arrow So let's get drunk on our tears And, God, tell us the reason Youth is wasted on the young It's hunting season and the lambs are on the run
Searching for meaning But are we all lost stars Trying to light up the dark? Who are we? Just a speck of dust within the galaxy Woe is me
Jesus came to the world to search for those lost so they may find life again. And the beautiful part of it is that even if we are lost, we are like lost stars the still shine brightly leading others unto life and meaning.
This Sunday, get lost in Jesus Christ to find your self and others. Have a blessed week ahead!
*We have no intentions of infringing into the copyrights of this music and video but simply to share its beautiful message. Thank you.
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