Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 04 May 2026
Photo by author, Sacred Heart Novitiate, 20 March 2026, Novaliches, QC.
We’re back with our Sunday music blog with a Hall & Oates original we hope will soothe our searing weather and wipe too our troubles in Jesus’ name. But before we go into their lovely music, let us try to recall first this Sunday’s gospel that brings us back to the Last Supper scene just before the betrayal and arrest of Jesus.
Imagine the silent stillness of the room heavy with emotion, with lamps flickering in the evening light.
Feel the ebb and flow of intimacy and uncertainty in the impending separation of the Lord from his disciples.
Then, amid the gloom, feel the comforting assurance of Jesus telling his disciples that include us today to “Do not let your hearts be troubled. You have faith in God; have faith also in me”(Jn.14:1)
What’s troubling you lately?
Many times, what really troubles us most is the fear of being left out, of being alone.
Money, sickness, and ultimately death trouble us a lot because of our fears of having nobody by our side not only to defend and comfort us but simply be with us. That is why we are troubled when people we love cheat on us, betray us or simply threaten us of walking away from us to be on their own.
Every time a beloved leaves us by choice or by circumstances, whenever we feel “apart” from others and separated, we feel losing a part of very selves because each one is also our part.
This we hear perfectly expressed by Daryl Hall and John Oates in 1980:
And everytime you go away You take a piece of me with you And everytime you go away You take a piece of me with you, you
Everytime You Go Away is from the 1980 “Voices” album of Hall & Oates from which also came their highly popular version of You’ve Lost that Lovin’ Feeling, followed by the smash hits Kiss On My List and You Make My Dreams.
Hall & Oates did not release a single version of Everytime You Go Away that was later covered by Paul Young in 1985 when it became number one for several weeks both in the UK and US Billboard charts. Hall admitted in an interview that Paul’s cover of Everytime You Go Away is his most favorite.
But of course, as a Hall & Oates fan, we prefer their own rendition of Everytime You Go Away that is truly more soulful with the long organ introduction that make it sound so gospel and churchy too. Try listening to Hall’s later versions and be awed with his powerful voice that had aged like an expensive wine. How sad that Hall and Oates have parted ways recently after more three decades of partnership that earned them the title of being music’s dynamic duo.
Since becoming a priest in 1998, we have been mentioning this song, sometimes “singing” it in our homily and spiritual talks because of its gospel values about honesty and sincerity, especially fidelity in our relationships (https://lordmychef.com/2026/05/02/easter-is-jesus-our-home-our-cornerstone/).
Being left out, being alone is the deepest pain one could ever have. And that is why Jesus came, suffered and died for us on the Cross so that in his Resurrection, we would never be apart from him and everyone anymore, here on earth and hereafter. Have a blessed week ahead!
Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 29 March 2026
Photo by author, St. Ildephonse Parish, Tanay, Rizal, January 2021.
If you have a lot of cash to spend for a unique Holy Week just outside Metro Manila, I suggest you visit St. Ildephonse Parish in Tanay, Rizal and look for the Seventh Station of the Cross when Jesus fell for the second time on his way to the Calvary.
You won’t miss it as you enter the main door immediately to your left. Done by local artisans in 1785, these huge woodcarvings depict one of the most unique Stations of the Cross in the world where soldiers and characters including Jesus Christ have Malay features of brown complexion, large and round eyes, and “squared” body features. Everything was given a local taste to make the Station so Filipino like the soldier leading them blowing a carabao horn for a tambuli while another carried a bolo instead of a sword.
But, the most astonishing of all is a man so prominently portrayed at the middle wearing sunglasses, looking far outside. Yes, the dude wore shades!
Photo by author, St. Ildephonse Parish, Tanay, Rizal, January 2021.
Historians we consulted told us smoked glasses have been available in the Philippines during that time courtesy of Chinese traders. According to the catechists and volunteers we talked to while at the parish, they were told by their elders that man with sunglasses is the high priest Caiaphas who led the Sanhedrin trial of Jesus who declared him guilty of blasphemy in claiming himself to be the Christ, the Son of God.
But, why wear shades? Was it because he refused to see and accept the truth that Jesus indeed is the Christ, the Son of God just like us today who wear all kinds of colored glasses presenting our own image God too far from who he really is. Or, as my kinakapatid Dindo Alberto (+) who was my roadtrip companion at that time said it shows that rock and roll had long been in existence since the time of Jesus Christ, the real Superstar.
I believe Kuya Dindo that is why I prepared two rock and rollin’ music this Holy Week for you to listen and reflect while driving on your way to a visita iglesia to pray and be with family and friends.
I have always loved The Smiths since college especially when NU107 came out at the other end of the FM band in the late 80’s. Heaven Knows I’m Miserable Now remains one of my personal anthems since it first came out in 1984.
When I was assigned as chaplain here at the Our Lady of Fatima University in Valenzuela in 2021, I was surprised to hear some of our college students singing and posting on their socmed There Is A Light that Never Goes Out – kids so young almost like my own pamangkins! And that’s one thing I like most with the Gen Zs and Millennials who also love and embrace our music and artists because they are simply the best. Period.
A week after Ash Wednesday last February 24, I used There Is A Light That Never Goes Out by The Smiths in my monthly spiritual talk to our employees at the University and the Fatima University Medical Center as a fitting music and guide in our 40-day journey of Lent which is more of an inner journey into our hearts to find Jesus Christ, the Light who never goes out amid life’s many darkness. Moreover, Jesus is the Light who never goes out as he restores our sight from the blindness we go through like in the healing of the man born blind that was the gospel last March 15, fourth Sunday in Lent. See how its lyrics also apply either to Jesus speaking to us or to anyone seeking Jesus.
Take me out tonight Where there's music and there's people And they're young and alive Driving in your car I never, never want to go home Because I haven't got one Anymore
Take me out tonight Because I want to see people And I want to see life Driving in your car Oh please, don't drop me home Because it's not my home, it's their home And I'm welcome no more
Of course, composer Johnny Marr and lyricist-vocalist Morissey may have other meanings behind this song considered as their finest but still, it speaks about finding hope that leads us to believe in ourselves, in others and in God. In this mass-mediated world that declares to see is to believe, Jesus tells us the other way around, believe that you may see!
When we believe, then we truly “see” and that is when we love, love, and still love until it hurts even unto death because that is when we find meaning in life and everything. And everyone.
And if a double-decker bus Crashes into us To die by your side Is such a heavenly way to die And if a ten tonne truck Kills the both of us To die by your side Well, the pleasure, the privilege is mine
Jesus Christ did just that that is why we have Good Friday; he rose from the dead at Easter and since then, has remained the Light who never goes out, lighting our paths in this time of many darkness in life.
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 20 March 2026.
Sometimes, sunglasses help us see clearly as they filter distracting lights and contrasts that blur our vision with the naked eyes. And so, here is our second rock n’ roll song for Holy Week, Bruno Mars and Lady Gaga’s Die With A Smile which we used also in our employees’ Lenten recollection at the University and Hospital last February 24.
Aside from the striking contrast of The Smiths’ There Is A Light That Never Goes Out that represented the punk, alternative, dark side in me, Die With A Smile represented the 1970’s funky groove I grew up with. And that is why I love and follow Bruno Mars: aside from having a Filipino blood in his Pinay mother, his experiments with music strongly rooted in the 1970’s make us from the older generation feel so welcomed and relate so well with him and his message of faithful love until the end of time.
Along with its lyrics that speak from the heart, the melody and great combination of the voices and talents of Bruno and Lady Gaga make Die With A Smile so lovingly touching, even mesmerizing that make you think of the only one you truly love most that you want to spend the rest of your life with until the end of the world – to die with a smile.
Ooh I, I just woke up from a dream Where you and I had to say goodbye And I don't know what it all means But since I survived, I realized
Wherever you go, that's where I'll follow Nobody's promised tomorrow So I'ma love you every night like it's the last night Like it's the last night
If the world was ending, I'd wanna be next to you If the party was over and our time on Earth was through I'd wanna hold you just for a while and die with a smile If the world was ending, I'd wanna be next to you
Holy Week remind us of our only one true and first love of all – God. We call this the Holy Week in Filipino as mga Mahal na Araw from the word mahal that means mahalaga or important and essential. That is why another word for love in Filipino is pagmamahal, literally to give importance. Not just pag-ibig which is more about liking as ibig means.
In these days of rising costs of fuels and commodities, anything expensive is described too as mahal in Filipino because they are so important and essential. Like the ones we love. Holy Week is mga Mahal na Araw, the holiest days when Jesus Christ expressed his deepest love – pagmamahal – for each of one of us by dying on the Cross because everyone is loved so immensely by God.
Again, Jesus was the first to have “died with a smile” because he offered his very self completely and freely, willingly for us because he loves us. And he had promised that he shall come again at the end of time. Are we willing to wait for him by loving truly those persons he had entrusted to us in this life?
Until our next music, have a blessed Holy Week and most blessed Easter everyone!
Lord My Chef Daily Recipe for the Soul by Fr. Nicanor F. Lalog II Friday, Third Week in Ordinary Time, Year II, 30 January 2026 2 Samuel 11:1-4, 5-10, 13-17 <*((((>< + ><))))*> Mark 4:26-34
Photo by author, Museo Valenzuela & the National Shrine of Our Lady of Fatima, Valenzuela City, 21 January 2026.
Thank you Lord Jesus for the Friday break, the penultimate day of this month of January 2026; it was a heavy week and a very long month for most of us we thought would never end.
We are thankful Lord today because we are still with you with many of us struggling in our prayer lives, persevering in being good and everything like being king and understanding and forgiving; indeed, like your parable today, everything good begins so small like the seed scattered in the field that sprout and grow while the farmer sleeps and rises night and day without really knowing how; but that is how it is also with sin and evil that always begins so small, so subtle like in the experience of David in the first reading: he had been complacent in his life falling into temptations of lust that led into murder.
Dear Jesus, remind us always to never take little things for granted - whether small deeds that lead to holiness or small sins that may leave us stuck in a moment we can't get out of according to Bono of U2:
You've got to get yourself together You've got stuck in a moment And now you can't get out of it Don't say that later will be better Now you're stuck in a moment And you can't get out of it
We pray, Lord Jesus for those feeling stuck in a moment or a sin or a vice or a relationship that they can't get out of; give them the courage to quit and return to you, even little by little. Amen.
*I know what you are thinking but this is a good piece from U2's 2000 album "All That You Can't Leave Behind"... it might help you pray better.
Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 13 April 2025
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.
Today we begin the Holy Week with the celebration of Palm Sunday in the Lord’s Passion.
See how since the entry of Jesus to Jerusalem more than 2000 years ago, nothing much have really changed among us – we are still the same fickle-minded people who would sing “Hosanna in the highest” and later shout “crucify him! crucify him!”.
Everybody wants to become better, each one wishing for so many things without really realizing the good things we are hoping for are all right in front us if we could just open our eyes or listen more or perhaps have a change of heart to realize everyday is a Palm Sunday too for us when God comes right into us to fulfill us.
However, many times whether in our wishful thinking or future-looking and planning, it is highly probable that what we long for is already present to us.
As we begin the Holy Week with the celebration of Palm Sunday in the Lord’s Passion, we are reminded by the liturgy with its long readings how so often in life, we just need to see with different eyes, hear with different ears, expect with different hearts to find fulfillment, peace and joy.
The night before I wrote my homily yesterday, I was posting some reels in my Instagram account when one of the music I used was the Style Council’s 1984 hit “My Ever Changing Moods”. Composed by the group founder Paul Weller who shot to fame in the 1970’s as lead singer and guitarist of the British rock band The Jam, “My Ever Changing Moods” is the Style Council’s fifth single.
Aside from Weller’s superb vocals, “My Ever Changing Moods” is so remarkable in what shall we describe as “subtle intensity” – ang tindi ng dating as we say. Despite the message conveyed by its title, the song is heavy in meanings that can stir one’s soul with its light and easy poetry yet so penetrating. That is why we right away felt its direct link with Palm Sunday.
Daylight turns to moonlight and I'm at my best Praising the way it all works, and gazing upon the rest, yeah The cool before the warm, the calm after the storm The cool before the warm, the calm after the storm
I wish to stay forever, letting this be my food Oh, but I'm caught up in a whirlwind And my ever changing moods, yeah
Many times in life, we forget that reality of how everything is like the weather that shifts and changes in a rhythmic pattern, “Daylight turns to moonlight…the cool before the warm, the calm after the storm.” The key is openness to these changes happening in us and around us.
Though Weller and critics claim of the song’s political undertones, we see something deeper, something spiritual that we find it so appropriate in this time as we enter the holiest days of the year. Notice these final four stanzas how they convey love and order, something so similar to Jesus Christ’s first words when crucified more than 2000 years ago, “Father, forgive them for they know not what they do” (Lk.23:24).
Teardrops turn to children who've never had the time To commit the sins they pay for through another's evil mind The love after the hate, the love we leave too late The love after the hate, the love we leave too late
I wish we'd wake up one day, an' everyone feel moved Oh, but we're caught up in the dailies And an ever changing mood, yeah
Evil turns to statues and masses form a line But I know which way I'd run to, if the choice was mine The past is knowledge, the present our mistake And the future we always leave too late
I wish we'd come to our senses and see there is no truth In those who promote the confusion For this ever changing mood, yeah
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.
What do we really know at all that we continue to crucify Jesus today, nailing him on the cross with our many sins as we pretend and assume to know so many things in life?
To know in the Jewish mind is to have a relationship, an activity more of the heart than of the mind. To know is to love, to care. Therefore, when Jesus prayed to the Father to forgive them for they know not what they do is to forgive them because they refuse to love which is what sin is all about. And that is what we still do not know until now – to love, to care for one another that we keep on crucifying Jesus Christ.
Until now, we pretend to know a lot that some nations resort to wars while some blind followers insist on what they know as right while evading the truth with their fake news being spread to cover crimes and atrocities. Until now we pretend to know what we are doing that everyday everywhere is a road rage happening often costing lives senselessly because many insist on their rights. And the confusions and quarrels and deaths continue because we do not know what we are doing. Like Paul Weller, we pray to Jesus that we’d come to our senses and see there is no truth// In those who promote the confusion// For this ever changing mood, yeah.
For this piece, we chose the slow version on piano of Style Council’s “My Ever Changing Moods” to be more attuned with Palm Sunday; you may check their original music video which is equally excellent.
Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 06 April 2025
This is the second time we have featured Ms. Yvonne Elliman’s I Don’t Know How to Love Him in our Sunday Music at this time of the year when the Sunday gospel is about the woman caught committing adultery.
Every time that story comes up, my mind automatically links it with this song sang by Ms. Elliman in both the Broadway and movie versions of the rock-opera Jesus Christ, Superstar where she played the role as Mary Magdalene who was believed for a long time as the woman caught committing adultery. Modern biblical scholarships have long debunked that belief but that song by Andrew Lloyd Weber and Tim Rice plus Elliman’s amazing interpretation has given us with so many perspectives about the gospel itself.
One thing we realized this year is how we – like the woman caught committing adultery meet Jesus Christ face-to-face to experience his immense love and mercy and forgiveness.
We encounter Jesus when we disarm ourselves of our false securities and pretenses, masks and camouflages that all cover our sins. It is when we come face-to-face with our sinful self when we eventually meet Jesus face-to-face too because that is when we surrender in silence like the woman caught in adultery and the mob to some degree because all the charges against us are true.
See also that it is only the fourth gospel that Jesus is portrayed “bending” low – first here before the woman caught committing adultery and secondly at the washing of the feet of his Apostles at their Last Supper. How lovely is that sight to behold, dear friends! Imagine God bending before us, giving us like the sinful woman and the mob that space for us to confront our true self, to realize and accept the whole realities we are all interconnected in love.
Only the woman remained – like the eleven Apostles at the Last Supper – because she was the only one willing to change, probably sorrowful and contrite for her sins. Contrary to our fears, Jesus has only love and mercy, kindness and forgiveness to anyone contrite and sorrowful of one’s sin that so unlike with the people’s wrath and anger, judgment and condemnation. St. Augustine perfectly described that moment in today’s gospel, Relicti sunt duo; misera et miserecordia (Two were left; misery and mercy).https://lordmychef.com/2025/04/05/lent-is-encountering-jesus/
Now, look at the first two stanzas of I Don’t Know How to Love Him:
I don't know how to love him What to do, how to move him I've been changed, yes really changed In these past few days When I've seen myself I seem like someone else
I don't know how to take this I don't see why he moves me He's a man He's just a man And I've had so many Men before In very many ways He's just one more
See the conversion and transformation of the woman caught in adultery expressed by Ms. Elliman in the song: I’ve been changed, yes really changed/ In these past few days/ When I’ve seen myself/ I seem like someone else. It is one of the great ironies in life: when we are most vulnerable and weakest, that is when we are also most truest to our self, that is when we truly grow and mature in life!
And this was all possible because of the gift of love and mercy of Jesus Christ, of encountering the Lord and Savior Himself in our own brokenness which the song and the singer captured so perfectly, He’s just a man/ And I’ve had so many men before/ In very many ways/ He’s just one more.
How amazing that the lyrics and the rendition blended perfectly, making us realize how Jesus is just like any other man but not just another additional man; Jesus is MORE than any one because He is the only who truly loves us most, offering us forgiveness once we strip ourselves naked before Him of all our sins and pride and pretensions. God’s love in Jesus Christ is beyond imagining. This we have seen in the parable of the prodigal son and now in the story of the woman caught committing adultery. Do not let your past sins prevent you from meeting Jesus face-to-face to finally experience that inner peace and joy you have been missing and searching for so long.
We are now in the final Sunday in Lent, next week is Palm Sunday, the start of the Holy Week. We can never experience the joy of Easter unless we join Christ’s Passion of emptying ourselves of sins and pride to be filled with His humility, justice and love.
Here is the lovely Ms. Elliman with her superb singing of I Don’t Know How to Love Him, hoping this helps you prepare in this final week of Lent.
Quiet Storm by Fr. Nicanor F. Lalog II, 18 March 2025
While I was processing my many realizations and lessons about perspectives and point of view (POV) following our team-building activities over the weekend, the venue’s architecture fascinated me, particularly its solid design of the staircase. I felt they all conveyed to me the very thoughts percolating in me that day of how our perspectives affect our communications, for better or for worst (https://lordmychef.com/2025/03/17/on-the-road-to-my-60th-perspectives-and-pov/).
Where we stand on the staircase is our POV – above on top, at the middle stop or at the bottom part. But how we look at the staircase reveals our perspectives, either we are looking up from or looking down to the floor that can have different impact with others.
The perspectives and views from that experience in Canyon Woods Resort Club in Batangas remained with me until Monday when I arrived at the Sacred Heart Novitiate in Novaliches where I have been going on my personal retreat since 2016.
Stairs at the new Blessed Peter Faber Hall.
It was another lesson in perspectives. They were the same stairs that have been there for almost 75 years with some younger at 30 years which I have seen and walked on the past nine years but it was only now that I have recognized their unique beauty.
And lessons.
Stairs at the main and oldest building at the Sacred Heart Novitiate leading to its chapel at the second floor.
Things change greatly when we see them from the top and from below. The same sights can evoke fear and dangers, or joy of being challenged to climb the flight of stairs.
View from top upon exit from the chapel, same stairs, different perspective.
Perspectives also change especially when we use the modern apps in cameras and phone cameras today like the iPhone 16 I am using lately.
Access ramp at the Faber Hall directly leading to the modern Chapel of the Holy Family.
One can change perspectives by simply editing a photo to change its “mood” to soften or strengthen its impact. Or, change its color to the traditional Black & White I have always loved.
B&W photos evoke simplicity and mystery at the same time. They converse with viewers as if inviting you to provide the “colors”. See the “ironing board” or plantsahan under the stairs that remind us of home.
Our focus and point-of-view convey different perspectives of the same objects as seen from different angles. In this shot below of the side stairs to the dorms at the second and third floors of the Blessed Faber Building are very inviting as if leading you to light or enlightenment that is primarily the reason of most people going on recollections and retreats here.
There is the sense of openness, of opening to God too not only with emphasis on the light that falls on each step but also in revealing the back or bottom part of the stairs, there is the perspective of courage to bare what’s inside. Or underneath. A sense of sincerity.
What’s in a stairway? There were the stairs that caught my attention in Batangas because it was my first time to be there at Canyon Woods Resort Club.
But, here again in my “happy place”, my “Bethel” where like Jacob I “wrestle” with God in prayers every year? Why my attention?
Blame it partly to my anticipation for the coming Netflix documentary on Led Zeppelin whose masterpiece Stairway to Heaven had made a tremendous impact on me as a child growing up in the 1970’s.
During that time, I have heard older people saying rock music was of the devil but I wondered why, if Led Zeppelin was diabolic, were they singing something about the heaven like Stairway to Heaven?
Stairs to the second floor dorm of the Sacred Heart Novitiate, 17 March 2025.
Later on in Grade 5 and 6 in the late 70’s, I heard our religion teachers that included nuns at St. Paul College-Bocaue spoke about Jacob’s dream of a “stairway to heaven”.
Immediately, I realized rock music isn’t bad at all!
And so, after classes I would come home early enough ahead of my father so that I could listen to DZRJ-AM that played all the classic and modern rock music of that time along with Juan Dela Cruz Band and other Pinoy rakistas.
A cozy resting place for souls trying to reach heaven at the mezzanine room of a spiritual director, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.
Good that I did not listen to some aunts who insisted that I could not become a priest if I followed rock music which did not hinder at all my listening to God about my priestly calling. In 1998, I was ordained priest while still rockin and rollin’ with Led Zep, Steely Dan and other rock bands.
As a priest turning sigisty (60) soon and 27 years in the ministry, my perspective on stairs have evolved: as a priest, my job is to lead others to heaven – whatever song they may be singing. God bless everyone!
40 Shades of Lent by Fr. Nicanor F. Lalog II, 07 March 2025
Photo from nationalshrine.org of Prophet Isaiah at the crypt church inside the Basilica of the National Shrine of the Immaculate Conception in Washington DC.
While praying last night the first reading this Friday after Ash Wednesday, my attention was drawn to the Prophet Isaiah’s very strong words declaring, Thus says the Lord God: Cry out full-throated and unsparingly, lift up your voice like a trumpet blast; tell my people their wickedness, and the house of Jacob their sins” (Is. 58:1-9).
Immediately my imaginations ran high with images of Formula cars racing full-throttle on tracks with their deafening sound waxed by the odorous burning of their tires that segued into the cool, opening synth music later with drums and bass of Tears of Fears’ 1984 hit Shout.
Whoa! It was really a rock and roll moment with the Lord last night that was suddenly punctuated with an emergency sick call in the ICU of our hospital where I serve as chaplain. After half an hour when I got back in my room, I finished my prayer and listened to more music by Tears for Fears that I realized Roland Orzabal and Curt Smith are modern Isaiahs!
But first, the Prophet Isaiah who is one of the four major prophets of the Old Testament.
Photo from nationalshrine.org of Prophet Isaiah at the south entrance of the Basilica of the National Shrine of the Immaculate Conception in Washington DC.
While in third year high school seminary in the early 80’s, our religion teacher Msgr. Narsing Sampana assigned me to report this great prophet. I thought it was a punishment because the Book of Isaiah is one of the longest and most difficult in the whole Bible. But looking back as I would always tell Msgr. Narsing, I learned a lot from him that after nine years of leaving the seminary, I have always loved Prophet Isaiah and his book that eventually helped me rediscovered my priestly vocation later in life.
It was Isaiah who prophesied the birth of the Messiah by the Blessed Virgin that he is widely read during the Advent Season as he warned the people too of the coming judgment of God for their sins; hence, his frequent reading in this season of Lent.
It was from his book that the lyrics were taken in one of the most loved Filipino Church music Hindi Kita Malilimutan by Jesuit Father Manoling Francisco that came out on the year we graduated in high school, 1982.
Isaiah was a very bold prophet who spoke strongly against evil and sins particularly injustice among the Israelites of his time, including of their king. He minced no words in speaking for God like today when he said “Cry out full-throated” which is to express confidently through shouting, with strong feeling and without limits.
That was Isaiah, a bold speaker yet also spoke with words filled with hope in God’s love and mercy on us. He is the kind of witness we need these days when many Christians especially Catholics disturbingly quiet about the many issues going on like wokism pretending to be for equality and justice through the social media.
In the Church, we need an Isaiah with some bishops and priests selectively silent in disciplining the clergy so immersed in abuses not only sexual in nature but also pertaining to finances and even our liturgy. How sad when bishops and priests attack government officials and politicians for their corruption but keep their eyes and mouth shut with clerical abuses in all forms. These rampant abuses within the Church is manifested in the ever growing abuses of the liturgy itself. Check your social media feeds to see how some priests contradicted the very spirit of Lent with their pompous novelties in imposing ashes on the faithful two days ago. No wonder, even those in other sects and cults came out in the streets with their “own” kind of Ash Wednesday rituals as if it is kanya-kanya lang style like what some priests did.
An Isaiah is what we really need in the Church in this time of synodality that sadly this early could end up as another set of documents to gather dust in parish bodegas.
Photo from bbc.com 2022 before the release of Tears for Fears “The Tipping Point”, their first since 2004.
This is where we find the enduring duo of Orzabal and Smith who make up Tears for Fears a modern Isaiah with their prophetic songs.
With everybody wanting to rule the world – pun intended – their Shout is so Lenten in nature. It is exactly what Isaiah meant 2800 years ago when he said “cry out full-throated” that Tears for Fears perfectly first sang in 1984:
Shout Shout Let it all out These are the things I can do without Come on I'm talking to you Come on
Shout Shout Let it all out These are the things I can do without Come on I'm talking to you Come on
In violent times You shouldn't have to sell your soul In black and white They really, really ought to know
Those one track minds That took you for a working boy Kiss them goodbye You shouldn't have to jump for joy You shouldn't have to jump for joy
Shout Shout Let it all out These are the things I can do without Come on I'm talking to you Come on
They gave you life And in return you gave them hell As cold as ice I hope we live to tell the tale I hope we live to tell the tale
From imdb.com.
From their second album Songs from the Big Chair, Shout is Tears for Fears second biggest hit after Everybody Wants to Rule the World released in 1985. Orzabal admitted on many occasions that Shout was a “simple song about protest”.
Their lyrics are clearly prophetic, a witnessing of their very lives since the 80’s until now. We are so glad that Tears for Fears have rereleased Shout recently with both of them still having the energy and conviction in playing this song despite their shorter and white hair. Being prophetic is witnessing or walking our talk like Orzabal and Smith. Like a good wine, they sound better in their latest music videos with their song taking a life of its own that gladly many young people have embraced too like us 40 years ago.
Let us join Tears for Fears shouting and standing for the same calls for justice they first shouted in 1984 that was also shouted full-throated by Isaiah in 800 BC. Have a blessed weekend, everyone!
Here’s Tears for Fears original music video for Shout for your rock and roll reflection this first Friday of Lent 2025.
The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 26 January 2025
Photo of the cast of the 1986 film “Stand By Me” from goldenglobes.com.
Glad to be back with our Sunday music after six months of absence! Hope you are doing well as we keep our good old music playing.
We cannot resist linking Ben E. King’s 1962 classic Stand By Me with our Sunday gospel about Jesus “standing” at the synagogue one sabbath day to proclaim the Sacred Scripture to his town folks in Nazareth. I have known the song all along having grown with old music at home but fell in love with it only in 1986 when it was adapted as the title of a coming-of-age movie called Stand By Me.
The song’s lyrics perfectly blended with the story of the movie based on Stephen King’s novella The Body, of how four teenagers in Oregon went on a hike to find the dead body of a missing boy. Though the song played only at the end of the movie as the main character closed his narration of what happened after to their friendship as young boys standing by each other, their hike was filled with so many misadventures and realizations that underscored the noble aspirations for fidelity and truth, love and care as well as importance of family we find exactly in the beautiful lyrics by King which is about his standing by his beloved.
When the night has come And the land is dark And the moon is the only light we'll see No, I won't be afraid Oh, I won't be afraid Just as long as you stand Stand by me
So darlin', darlin', stand by me Oh, stand by me Oh, stand Stand by me, stand by me
If the sky that we look upon Should tumble and fall Or the mountain should crumble to the sea I won't cry, I won't cry No, I won't shed a tear Just as long as you stand Stand by me
And darlin', darlin', stand by me Oh, stand by me Oh, stand now Stand by me, stand by me
And darlin', darlin', stand by me Oh, stand by me Oh, stand now Stand by me, stand by me
Whenever you're in trouble won't you stand by me Oh, stand by me Won't you stand by
We remembered the song Stand By Me while praying over this Sunday’s homily as we focused on Jesus always standing for what is true and good, what is just and fair and most especially, for His standing for each one of us always despite our weaknesses and sins. That is why we said in our homily that what matters most in life is not where we sit but where we stand (https://lordmychef.com/2025/01/25/standing-with-jesus-standing-like-jesus/).
As we go on a rest this Sunday, let us recall and remember our family and friends we have stood by all these years as well as those who stood by our side too while praying for those who have left us or betrayed us including those we have deserted too. Through all these standing and falling, there is always Jesus remaining, always standing by our side because He loves us, giving us all the chances to rise and stand again for Him and with Him through our family and friends. Have a blessed Sunday!
From YouTube.com, no copyright infringements intended except to enjoy good music.
The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 21 April 2024
Photo by author, Anvaya Cove in Morong, Bataan, 15 April 2024.
Today is the Good Shepherd Sunday and we take a classic number from the lovely shepherdess of R&B and Soul, Ms. Chaka Khan with her 1975 hit Sweet Thing as vocalist of the group Rufus.
What I like most with Ms. Khan’s music next to her great voice and instrumentations being a percussionist herself is her ability to open us up to the woman’s heart and feelings. Her songs are so womanly that reveal the inner dynamics of womanhood we take for granted. (See our other piece, https://lordmychef.com/2021/06/27/through-the-fire-by-chaka-khan-1984/). That is why we find her so much like a good shepherdess leading us to find expressions of our love.
When Jesus Christ declared “I am the good shepherd who lays down his life”, He was expressing something more than His mission but His very being as “the Gift and the Giver” at the same time of this most precious thing called love.
The same thing is true when friends and lovers separate either because they have found other loves to pursue or worst, have fallen out of love with us despite all our love for them. It is the most unkindest cut of all breakups and separations, excruciatingly painful as we blindly give up our relationships ironically for love. More than the persons and circumstances involved, we freely choose to let go – magparaya in Filipino – because deep in our wounded and hollowed heart is the hope they may grow in their new love.
Here we are like Jesus the Good Shepherd because even in the death of our relationships is still found our love. Like Jesus Christ, we do not simply give something but our very selves. The Jesuit theologian Karl Rahner beautifully expressed this when he described Jesus is both “the Gift and the Giver.”
This is very evident in Sweet Thing which Ms. Khan co-wrote with Tony Maiden.
I will love you anyway Even if you cannot stay I think you are the one for me Here is where you ought to be I just want to satisfy you Though you’re not mine I can’t deny you Don’t you hear me talking baby? Love me now or I’ll go crazy
Oh sweet thing Don’t you know you’re my everything? Oh sweet thing Don’t you know you’re my everything? Yes, you are
I wish you were my lover But you act so undercover To love you child my whole life long Be it right, or be it wrong I’m only what you make me, baby Don’t walk away, don’t be so shady Don’t want your mind, don’t want your money These words I say, they may sound funny, but
Isn’t it so sweet!? Beginning with its guitar intro lately making rounds in social media courtesy of Prince’s unplugged cover, Sweet Thing is an overload of love and self-giving, of how a woman in her great love for a man is willing to let go of him because of love.
When we speak of love, we use comparisons and analogies and yet, they are not enough. How much more when we speak of the love of God, a love so sublime like Ms. Khan’s Sweet Thing?
In that case, we sing like Ms. Khan and her other co-shepherds of souls with their music that captures our deepest feelings and convictions in life. Like Jesus in saying “I am the good shepherd” which is more than a declaration of His mission but of His self-giving in love, Ms. Khan’s Sweet Thing reminds us of this tremendous grace to love like God despite the pains and hurts we go through in loving selflessly.
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 20 March 2024.
Blessed happy Easter everyone! We take a melancholic love song on this day of celebrating the triumph of love in Jesus Christ’s Resurrection because Easter is a continuing journey with Him, in Him and through Him amid darkness and emptiness in life (https://lordmychef.com/2024/03/30/easter-is-signs-scripture-together-always/).
Like the story of that first Easter morning while still dark when Mary Magdalene and later Simon Peter with the beloved disciple found the tomb of Jesus empty except for His burial cloths neatly folded to indicate the Lord’s rising from the dead, Ronnie Milsap’s 1983 hit Is It Over speaks a lot of the essence of Easter about faith in the love of Jesus Christ.
Milsap’s Is it Over invites his beloved to sincerely search her heart to get over her former relationship so that theirs would flourish and grow; in the same manner, we need to get over our Good Fridays in order to experience the glory of Easter Sundays in life.
Is it over, are you really over him Is it over, or will you take him back again If it’s over you can let his memory in Come on over, we’ll let our love begin.
You say you can’t count the times that he’s hurt you And he’s hurt you for the last time Now you say I’m the one that you’re needing But is the need in your heart or just in your mind.
Is it over, are you really over him Is it over, or will you take him back again If it’s over you can let his memory in Come on over, we’ll let our love begin.
Like Jesus calling us every day in our lives to come over to Him by leaving behind our past hurts, Is it Over tells on the need to move on in life, to embrace the present by learning from the past. Most of all, of the need to confront one’s true self in the heart, not just in the mind in order to move on in life.
Milsap’s music and voice are uniquely refreshing that sound very Easter perhaps due to his personal experiences. Born partially blind and abandoned by his mother after birth, Milsap grew up in poverty with his grandparents in the Smoky Mountains of North Carolina. Despite his handicap and poverty, he was found exceptionally brilliant and talented even while in his early childhood when he was sent to a school for the blind at the age of five where he developed his musical talent at age seven. He was later sent to Governor Moorehead to formally begin studies in classical music. It was there in his early teens when Mislap learned to play several musical instruments and chose to master the piano.
At age 14, Milsap became totally blind after being slapped on his left eye by one of the houseparents but that never affected his pursuits in learning as well as music. He was able to finish college through scholarships and was already in law school as a full scholar when he decided to leave to concentrate in music in 1964.
He met his wife Joyce Reeves in one of their gigs the following year, got married and remained together until her death in 2021 due to cancer. They had a son, Ronald who died in 2019 aged 49 apparently due to a medical condition
Is It Over follows the style of Milsap’s earlier and biggest breakthrough in 1977, It Was almost Like a Song that topped the Billboard charts in many categories. Both songs are very popular among us Filipinos who are certified romantics.
Now aged 81, Milsap remains active in the music scene as a composer, collaborating with some of the biggest names in the industry. His life is a beautiful example of the Easter glory amid many darkness and emptiness. Although officially retired, it isn’t over yet for Mislap as he continues to record and busies himself with a podcast as well as an amateur radio enthusiast.
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