Tag: music

“My Ever ChangingMoods” (1984) by the Style Council

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 13 April 2025
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.

Today we begin the Holy Week with the celebration of Palm Sunday in the Lord’s Passion.

See how since the entry of Jesus to Jerusalem more than 2000 years ago, nothing much have really changed among us – we are still the same fickle-minded people who would sing “Hosanna in the highest” and later shout “crucify him! crucify him!”.

Everybody wants to become better, each one wishing for so many things without really realizing the good things we are hoping for are all right in front us if we could just open our eyes or listen more or perhaps have a change of heart to realize everyday is a Palm Sunday too for us when God comes right into us to fulfill us.

However, many times whether in our wishful thinking or future-looking and planning, it is highly probable that what we long for is already present to us.

As we begin the Holy Week with the celebration of Palm Sunday in the Lord’s Passion, we are reminded by the liturgy with its long readings how so often in life, we just need to see with different eyes, hear with different ears, expect with different hearts to find fulfillment, peace and joy.

The sad truth is that many times, we really do not know what we want and most of all, we also do not know what we are doing because we are so far from Jesus Christ. https://lordmychef.com/2025/04/12/when-we-do-not-know-what-we-are-doing/

The night before I wrote my homily yesterday, I was posting some reels in my Instagram account when one of the music I used was the Style Council’s 1984 hit “My Ever Changing Moods”. Composed by the group founder Paul Weller who shot to fame in the 1970’s as lead singer and guitarist of the British rock band The Jam, “My Ever Changing Moods” is the Style Council’s fifth single.

Aside from Weller’s superb vocals, “My Ever Changing Moods” is so remarkable in what shall we describe as “subtle intensity” – ang tindi ng dating as we say. Despite the message conveyed by its title, the song is heavy in meanings that can stir one’s soul with its light and easy poetry yet so penetrating. That is why we right away felt its direct link with Palm Sunday.

Daylight turns to moonlight and I'm at my best
Praising the way it all works, and gazing upon the rest, yeah
The cool before the warm, the calm after the storm
The cool before the warm, the calm after the storm

I wish to stay forever, letting this be my food
Oh, but I'm caught up in a whirlwind
And my ever changing moods, yeah

Many times in life, we forget that reality of how everything is like the weather that shifts and changes in a rhythmic pattern, “Daylight turns to moonlight…the cool before the warm, the calm after the storm.” The key is openness to these changes happening in us and around us.

Though Weller and critics claim of the song’s political undertones, we see something deeper, something spiritual that we find it so appropriate in this time as we enter the holiest days of the year. Notice these final four stanzas how they convey love and order, something so similar to Jesus Christ’s first words when crucified more than 2000 years ago, “Father, forgive them for they know not what they do” (Lk.23:24).

Teardrops turn to children who've never had the time
To commit the sins they pay for through another's evil mind
The love after the hate, the love we leave too late
The love after the hate, the love we leave too late

I wish we'd wake up one day, an' everyone feel moved
Oh, but we're caught up in the dailies
And an ever changing mood, yeah

Evil turns to statues and masses form a line
But I know which way I'd run to, if the choice was mine
The past is knowledge, the present our mistake
And the future we always leave too late

I wish we'd come to our senses and see there is no truth
In those who promote the confusion
For this ever changing mood, yeah
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.

What do we really know at all that we continue to crucify Jesus today, nailing him on the cross with our many sins as we pretend and assume to know so many things in life?

To know in the Jewish mind is to have a relationship, an activity more of the heart than of the mind. To know is to love, to care. Therefore, when Jesus prayed to the Father to forgive them for they know not what they do is to forgive them because they refuse to love which is what sin is all about. And that is what we still do not know until now – to love, to care for one another that we keep on crucifying Jesus Christ.

Until now, we pretend to know a lot that some nations resort to wars while some blind followers insist on what they know as right while evading the truth with their fake news being spread to cover crimes and atrocities. Until now we pretend to know what we are doing that everyday everywhere is a road rage happening often costing lives senselessly because many insist on their rights. And the confusions and quarrels and deaths continue because we do not know what we are doing. Like Paul Weller, we pray to Jesus that we’d come to our senses and see there is no truth// In those who promote the confusion// For this ever changing mood, yeah.

For this piece, we chose the slow version on piano of Style Council’s “My Ever Changing Moods” to be more attuned with Palm Sunday; you may check their original music video which is equally excellent.

From YouTube.com

“I Don’t Know How to Love Him” (1971) by Yvonne Elliman

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 06 April 2025

This is the second time we have featured Ms. Yvonne Elliman’s I Don’t Know How to Love Him in our Sunday Music at this time of the year when the Sunday gospel is about the woman caught committing adultery.

Every time that story comes up, my mind automatically links it with this song sang by Ms. Elliman in both the Broadway and movie versions of the rock-opera Jesus Christ, Superstar where she played the role as Mary Magdalene who was believed for a long time as the woman caught committing adultery. Modern biblical scholarships have long debunked that belief but that song by Andrew Lloyd Weber and Tim Rice plus Elliman’s amazing interpretation has given us with so many perspectives about the gospel itself.

One thing we realized this year is how we – like the woman caught committing adultery meet Jesus Christ face-to-face to experience his immense love and mercy and forgiveness.

We encounter Jesus when we disarm ourselves of our false securities and pretenses, masks and camouflages that all cover our sins. It is when we come face-to-face with our sinful self when we eventually meet Jesus face-to-face too because that is when we surrender in silence like the woman caught in adultery and the mob to some degree because all the charges against us are true.

See also that it is only the fourth gospel that Jesus is portrayed “bending” low – first here before the woman caught committing adultery and secondly at the washing of the feet of his Apostles at their Last Supper. How lovely is that sight to behold, dear friends! Imagine God bending before us, giving us like the sinful woman and the mob that space for us to confront our true self, to realize and accept the whole realities we are all interconnected in love.

Only the woman remained – like the eleven Apostles at the Last Supper – because she was the only one willing to change, probably sorrowful and contrite for her sins. Contrary to our fears, Jesus has only love and mercy, kindness and forgiveness to anyone contrite and sorrowful of one’s sin that so unlike with the people’s wrath and anger, judgment and condemnation. St. Augustine perfectly described that moment in today’s gospel, Relicti sunt duo; misera et miserecordia (Two were left; misery and mercy). https://lordmychef.com/2025/04/05/lent-is-encountering-jesus/

Now, look at the first two stanzas of I Don’t Know How to Love Him:

I don't know how to love him
What to do, how to move him
I've been changed, yes really changed
In these past few days
When I've seen myself
I seem like someone else

I don't know how to take this
I don't see why he moves me
He's a man
He's just a man
And I've had so many
Men before
In very many ways
He's just one more

See the conversion and transformation of the woman caught in adultery expressed by Ms. Elliman in the song: I’ve been changed, yes really changed/ In these past few days/ When I’ve seen myself/ I seem like someone else. It is one of the great ironies in life: when we are most vulnerable and weakest, that is when we are also most truest to our self, that is when we truly grow and mature in life!

And this was all possible because of the gift of love and mercy of Jesus Christ, of encountering the Lord and Savior Himself in our own brokenness which the song and the singer captured so perfectly, He’s just a man/ And I’ve had so many men before/ In very many ways/ He’s just one more.

How amazing that the lyrics and the rendition blended perfectly, making us realize how Jesus is just like any other man but not just another additional man; Jesus is MORE than any one because He is the only who truly loves us most, offering us forgiveness once we strip ourselves naked before Him of all our sins and pride and pretensions. God’s love in Jesus Christ is beyond imagining. This we have seen in the parable of the prodigal son and now in the story of the woman caught committing adultery. Do not let your past sins prevent you from meeting Jesus face-to-face to finally experience that inner peace and joy you have been missing and searching for so long.

We are now in the final Sunday in Lent, next week is Palm Sunday, the start of the Holy Week. We can never experience the joy of Easter unless we join Christ’s Passion of emptying ourselves of sins and pride to be filled with His humility, justice and love.

Here is the lovely Ms. Elliman with her superb singing of I Don’t Know How to Love Him, hoping this helps you prepare in this final week of Lent.

From YouTube.com.

The Prophet Isaiah and Tears for Fears

40 Shades of Lent by Fr. Nicanor F. Lalog II, 07 March 2025
Photo from nationalshrine.org of Prophet Isaiah at the crypt church inside the Basilica of the National Shrine of the Immaculate Conception in Washington DC.

While praying last night the first reading this Friday after Ash Wednesday, my attention was drawn to the Prophet Isaiah’s very strong words declaring, Thus says the Lord God: Cry out full-throated and unsparingly, lift up your voice like a trumpet blast; tell my people their wickedness, and the house of Jacob their sins” (Is. 58:1-9).

Immediately my imaginations ran high with images of Formula cars racing full-throttle on tracks with their deafening sound waxed by the odorous burning of their tires that segued into the cool, opening synth music later with drums and bass of Tears of Fears’ 1984 hit Shout.

Whoa! It was really a rock and roll moment with the Lord last night that was suddenly punctuated with an emergency sick call in the ICU of our hospital where I serve as chaplain. After half an hour when I got back in my room, I finished my prayer and listened to more music by Tears for Fears that I realized Roland Orzabal and Curt Smith are modern Isaiahs!

But first, the Prophet Isaiah who is one of the four major prophets of the Old Testament.

Photo from nationalshrine.org of Prophet Isaiah at the south entrance of the Basilica of the National Shrine of the Immaculate Conception in Washington DC.

While in third year high school seminary in the early 80’s, our religion teacher Msgr. Narsing Sampana assigned me to report this great prophet. I thought it was a punishment because the Book of Isaiah is one of the longest and most difficult in the whole Bible. But looking back as I would always tell Msgr. Narsing, I learned a lot from him that after nine years of leaving the seminary, I have always loved Prophet Isaiah and his book that eventually helped me rediscovered my priestly vocation later in life.

It was Isaiah who prophesied the birth of the Messiah by the Blessed Virgin that he is widely read during the Advent Season as he warned the people too of the coming judgment of God for their sins; hence, his frequent reading in this season of Lent.

It was from his book that the lyrics were taken in one of the most loved Filipino Church music Hindi Kita Malilimutan by Jesuit Father Manoling Francisco that came out on the year we graduated in high school, 1982.

Isaiah was a very bold prophet who spoke strongly against evil and sins particularly injustice among the Israelites of his time, including of their king. He minced no words in speaking for God like today when he said “Cry out full-throated” which is to express confidently through shouting, with strong feeling and without limits.

That was Isaiah, a bold speaker yet also spoke with words filled with hope in God’s love and mercy on us. He is the kind of witness we need these days when many Christians especially Catholics disturbingly quiet about the many issues going on like wokism pretending to be for equality and justice through the social media.

Photo by Denniz Futalan on Pexels.com

In the Church, we need an Isaiah with some bishops and priests selectively silent in disciplining the clergy so immersed in abuses not only sexual in nature but also pertaining to finances and even our liturgy. How sad when bishops and priests attack government officials and politicians for their corruption but keep their eyes and mouth shut with clerical abuses in all forms. These rampant abuses within the Church is manifested in the ever growing abuses of the liturgy itself. Check your social media feeds to see how some priests contradicted the very spirit of Lent with their pompous novelties in imposing ashes on the faithful two days ago. No wonder, even those in other sects and cults came out in the streets with their “own” kind of Ash Wednesday rituals as if it is kanya-kanya lang style like what some priests did.

An Isaiah is what we really need in the Church in this time of synodality that sadly this early could end up as another set of documents to gather dust in parish bodegas.

Photo from bbc.com 2022 before the release of Tears for Fears “The Tipping Point”, their first since 2004.

This is where we find the enduring duo of Orzabal and Smith who make up Tears for Fears a modern Isaiah with their prophetic songs.

With everybody wanting to rule the world – pun intended – their Shout is so Lenten in nature. It is exactly what Isaiah meant 2800 years ago when he said “cry out full-throated” that Tears for Fears perfectly first sang in 1984:

Shout
Shout
Let it all out
These are the things I can do without
Come on
I'm talking to you
Come on

Shout
Shout
Let it all out
These are the things I can do without
Come on
I'm talking to you
Come on

In violent times
You shouldn't have to sell your soul
In black and white
They really, really ought to know

Those one track minds
That took you for a working boy
Kiss them goodbye
You shouldn't have to jump for joy
You shouldn't have to jump for joy

Shout
Shout
Let it all out
These are the things I can do without
Come on
I'm talking to you
Come on

They gave you life
And in return you gave them hell
As cold as ice
I hope we live to tell the tale
I hope we live to tell the tale
From imdb.com.

From their second album Songs from the Big Chair, Shout is Tears for Fears second biggest hit after Everybody Wants to Rule the World released in 1985. Orzabal admitted on many occasions that Shout was a “simple song about protest”.

Their lyrics are clearly prophetic, a witnessing of their very lives since the 80’s until now. We are so glad that Tears for Fears have rereleased Shout recently with both of them still having the energy and conviction in playing this song despite their shorter and white hair. Being prophetic is witnessing or walking our talk like Orzabal and Smith. Like a good wine, they sound better in their latest music videos with their song taking a life of its own that gladly many young people have embraced too like us 40 years ago.

Let us join Tears for Fears shouting and standing for the same calls for justice they first shouted in 1984 that was also shouted full-throated by Isaiah in 800 BC. Have a blessed weekend, everyone!

Here’s Tears for Fears original music video for Shout for your rock and roll reflection this first Friday of Lent 2025.

From YouTube.com.

“Stand by Me” by Ben E. King (1962)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 26 January 2025
Photo of the cast of the 1986 film “Stand By Me” from goldenglobes.com.

Glad to be back with our Sunday music after six months of absence! Hope you are doing well as we keep our good old music playing.

We cannot resist linking Ben E. King’s 1962 classic Stand By Me with our Sunday gospel about Jesus “standing” at the synagogue one sabbath day to proclaim the Sacred Scripture to his town folks in Nazareth. I have known the song all along having grown with old music at home but fell in love with it only in 1986 when it was adapted as the title of a coming-of-age movie called Stand By Me.

The song’s lyrics perfectly blended with the story of the movie based on Stephen King’s novella The Body, of how four teenagers in Oregon went on a hike to find the dead body of a missing boy. Though the song played only at the end of the movie as the main character closed his narration of what happened after to their friendship as young boys standing by each other, their hike was filled with so many misadventures and realizations that underscored the noble aspirations for fidelity and truth, love and care as well as importance of family we find exactly in the beautiful lyrics by King which is about his standing by his beloved.

When the night has come
And the land is dark
And the moon is the only light we'll see
No, I won't be afraid
Oh, I won't be afraid
Just as long as you stand
Stand by me

So darlin', darlin', stand by me
Oh, stand by me
Oh, stand
Stand by me, stand by me

If the sky that we look upon
Should tumble and fall
Or the mountain should crumble to the sea
I won't cry, I won't cry
No, I won't shed a tear
Just as long as you stand
Stand by me

And darlin', darlin', stand by me
Oh, stand by me
Oh, stand now
Stand by me, stand by me

And darlin', darlin', stand by me
Oh, stand by me
Oh, stand now
Stand by me, stand by me

Whenever you're in trouble won't you stand by me
Oh, stand by me
Won't you stand by

We remembered the song Stand By Me while praying over this Sunday’s homily as we focused on Jesus always standing for what is true and good, what is just and fair and most especially, for His standing for each one of us always despite our weaknesses and sins. That is why we said in our homily that what matters most in life is not where we sit but where we stand (https://lordmychef.com/2025/01/25/standing-with-jesus-standing-like-jesus/).

As we go on a rest this Sunday, let us recall and remember our family and friends we have stood by all these years as well as those who stood by our side too while praying for those who have left us or betrayed us including those we have deserted too. Through all these standing and falling, there is always Jesus remaining, always standing by our side because He loves us, giving us all the chances to rise and stand again for Him and with Him through our family and friends. Have a blessed Sunday!

From YouTube.com, no copyright infringements intended except to enjoy good music.

“Sweet Thing” (1975) by Rufus & Chaka Khan

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 21 April 2024
Photo by author, Anvaya Cove in Morong, Bataan, 15 April 2024.

Today is the Good Shepherd Sunday and we take a classic number from the lovely shepherdess of R&B and Soul, Ms. Chaka Khan with her 1975 hit Sweet Thing as vocalist of the group Rufus.

What I like most with Ms. Khan’s music next to her great voice and instrumentations being a percussionist herself is her ability to open us up to the woman’s heart and feelings. Her songs are so womanly that reveal the inner dynamics of womanhood we take for granted. (See our other piece, https://lordmychef.com/2021/06/27/through-the-fire-by-chaka-khan-1984/). That is why we find her so much like a good shepherdess leading us to find expressions of our love.

When Jesus Christ declared “I am the good shepherd who lays down his life”, He was expressing something more than His mission but His very being as “the Gift and the Giver” at the same time of this most precious thing called love.

The same thing is true when friends and lovers separate either because they have found other loves to pursue or worst, have fallen out of love with us despite all our love for them. It is the most unkindest cut of all breakups and separations, excruciatingly painful as we blindly give up our relationships ironically for love. More than the persons and circumstances involved, we freely choose to let go – magparaya in Filipino – because deep in our wounded and hollowed heart is the hope they may grow in their new love.

Here we are like Jesus the Good Shepherd because even in the death of our relationships is still found our love. Like Jesus Christ, we do not simply give something but our very selves. The Jesuit theologian Karl Rahner beautifully expressed this when he described Jesus is both “the Gift and the Giver.”

– https://lordmychef.com/2024/04/20/jesus-our-good-shepherd-the-gift-the-giver-himself/

This is very evident in Sweet Thing which Ms. Khan co-wrote with Tony Maiden.

I will love you anyway
Even if you cannot stay
I think you are the one for me
Here is where you ought to be
I just want to satisfy you
Though you’re not mine
I can’t deny you
Don’t you hear me talking baby?
Love me now or I’ll go crazy

Oh sweet thing
Don’t you know you’re my everything?
Oh sweet thing
Don’t you know you’re my everything?
Yes, you are

I wish you were my lover
But you act so undercover
To love you child my whole life long
Be it right, or be it wrong
I’m only what you make me, baby
Don’t walk away, don’t be so shady
Don’t want your mind, don’t want your money
These words I say, they may sound funny, but

Isn’t it so sweet!? Beginning with its guitar intro lately making rounds in social media courtesy of Prince’s unplugged cover, Sweet Thing is an overload of love and self-giving, of how a woman in her great love for a man is willing to let go of him because of love.

When we speak of love, we use comparisons and analogies and yet, they are not enough. How much more when we speak of the love of God, a love so sublime like Ms. Khan’s Sweet Thing?

In that case, we sing like Ms. Khan and her other co-shepherds of souls with their music that captures our deepest feelings and convictions in life. Like Jesus in saying “I am the good shepherd” which is more than a declaration of His mission but of His self-giving in love, Ms. Khan’s Sweet Thing reminds us of this tremendous grace to love like God despite the pains and hurts we go through in loving selflessly.

Let’s hear it from Ms. Chaka Khan herself.

From YouTube.com

“Is It Over” by Ronnie Milsap (1983)

The Lord Is My Chef Sunday Music, 31 March 2024
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 20 March 2024.

Blessed happy Easter everyone! We take a melancholic love song on this day of celebrating the triumph of love in Jesus Christ’s Resurrection because Easter is a continuing journey with Him, in Him and through Him amid darkness and emptiness in life (https://lordmychef.com/2024/03/30/easter-is-signs-scripture-together-always/).

Like the story of that first Easter morning while still dark when Mary Magdalene and later Simon Peter with the beloved disciple found the tomb of Jesus empty except for His burial cloths neatly folded to indicate the Lord’s rising from the dead, Ronnie Milsap’s 1983 hit Is It Over speaks a lot of the essence of Easter about faith in the love of Jesus Christ.

Milsap’s Is it Over invites his beloved to sincerely search her heart to get over her former relationship so that theirs would flourish and grow; in the same manner, we need to get over our Good Fridays in order to experience the glory of Easter Sundays in life.

Is it over, are you really over him
Is it over, or will you take him back again
If it’s over you can let his memory in
Come on over, we’ll let our love begin.

You say you can’t count the times that he’s hurt you
And he’s hurt you for the last time
Now you say I’m the one that you’re needing
But is the need in your heart or just in your mind.

Is it over, are you really over him
Is it over, or will you take him back again
If it’s over you can let his memory in
Come on over, we’ll let our love begin.

Like Jesus calling us every day in our lives to come over to Him by leaving behind our past hurts, Is it Over tells on the need to move on in life, to embrace the present by learning from the past. Most of all, of the need to confront one’s true self in the heart, not just in the mind in order to move on in life.

Milsap’s music and voice are uniquely refreshing that sound very Easter perhaps due to his personal experiences. Born partially blind and abandoned by his mother after birth, Milsap grew up in poverty with his grandparents in the Smoky Mountains of North Carolina. Despite his handicap and poverty, he was found exceptionally brilliant and talented even while in his early childhood when he was sent to a school for the blind at the age of five where he developed his musical talent at age seven. He was later sent to Governor Moorehead to formally begin studies in classical music. It was there in his early teens when Mislap learned to play several musical instruments and chose to master the piano.

At age 14, Milsap became totally blind after being slapped on his left eye by one of the houseparents but that never affected his pursuits in learning as well as music. He was able to finish college through scholarships and was already in law school as a full scholar when he decided to leave to concentrate in music in 1964.

He met his wife Joyce Reeves in one of their gigs the following year, got married and remained together until her death in 2021 due to cancer. They had a son, Ronald who died in 2019 aged 49 apparently due to a medical condition

Is It Over follows the style of Milsap’s earlier and biggest breakthrough in 1977, It Was almost Like a Song that topped the Billboard charts in many categories. Both songs are very popular among us Filipinos who are certified romantics.

Now aged 81, Milsap remains active in the music scene as a composer, collaborating with some of the biggest names in the industry. His life is a beautiful example of the Easter glory amid many darkness and emptiness. Although officially retired, it isn’t over yet for Mislap as he continues to record and busies himself with a podcast as well as an amateur radio enthusiast.

Here now is Milsap’s lovely song, Is It Over.

From YouTube.com

“You’ve Lost That Lovin’ Feelin'” by The Righteous Brothers (1964)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 03 March 2024
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 2018.

Our 40-day Lenten journey gets more intense this Sunday with the gospel scene where Jesus cleansed the Temple in Jerusalem to signify the need for us to recover our zeal for God who is also our first love (https://lordmychef.com/2024/03/02/lent-is-the-zeal-of-jesus/).

In a similar manner, we picked the intensely passionate 1964 hit You’ve Lost That Lovin’ Feelin’ by The Righteous Brothers matching today’s Sunday gospel as it tells us the similar teaching of Jesus Christ, of how we have lost our zeal for God and the need to bring it back for our own good.

Of course, You’ve Lost That Lovin’ Feelin’ is a love song with its usual sprinklings of sensuality but its sublimity and accuracy in describing the common experiences of love going bad have made it as the most-played song in American radio and television – perhaps even the world – in the 20th century. It is also the most successfully covered song by artists, including by our favorite Hall & Oates who must literally heed the song’s message after their falling apart as musicdom’s dynamic duo of all time.

Written by music producer Phil Spector with some help from Barry Mann and Cynthia Weil, You’ve Lost That Lovin’ Feelin’ as a ballad is soulfully penetrating with the contrasting vocal ranges of Bill Medley’s bass-baritone voice and Bobby Hatfield’s tenor that enabled them to create a distinctive sound as a duet.

This perfect blending of their voices is felt, not just heard in You’ve Lost That Lovin’ Feelin’ that is a kind of music that can disturb and awaken one’s callous conscience to put it in order. Or have it cleansed as Jesus did in the Temple when he drove out the oxen and sheep, overturned the tables of money changers and drove the doves away being sold.

Notable also is the song’s slow opening – and video – with Medley’s deep voice so hauntingly cool but not scary at all but simply disarming, making it perhaps the most coveted style in singing.

You never close your eyes anymore when I kiss your lips
And there’s no tenderness like before in your fingertips
You’re trying hard not to show it
But baby, baby I know it

You lost that lovin’ feelin’
Whoa, that lovin’ feelin’
You lost that lovin’ feelin’
Now it’s gone, gone, gone, whoa-oh

All in all, here is a most beautiful music, so universal as a language in its melody and lyrics that reminds us that love is not everything; love is more than a feeling but a decision we have to nurture and deepen in order to grow and mature. And bloom.

Most of all, to remain rooted in our first love of all, in God who gives us the zeal, the spark to keep it burning. Have lovin’ week ahead, everyone.

https://youtu.be/xLiUp3-jCH0?si=PgKljbT02QBu_pgv
From YouTube.com

“Yesterday” by the Beatles (1965)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 25 February 2024
Photo from petalrepublic.com.

It is the last Sunday in February, the second in the Season of Lent and most likely, everybody is feeling like “suddenly” the month is over with everything happening so fast just like in the song Yesterday by the Beatles.

Released in 1965 from their album Help!, Yesterday was actually written by Paul McCartney after a dream while staying with his former girlfriend, Jane Asher. It is a sad love song that speaks, as usual, of break-up.

The lyrics and music are simple that McCartney had to research for sometime if he had copied its melody from an existing music at that time. But, its simplicity and eloquence caught so many generations then and now as the song speaks so well of everyone’s experience. Yesterday one of the most covered songs of all time, being interpreted by almost every artist in all continents over 2000 times since its release!

You may check our Sunday blog today on the correlation of Yesterday with the transfiguration of Jesus (https://lordmychef.com/2024/02/24/troubles-on-the-road-to-easter/).

What I wish to share with you this lovely Sunday is my realization that aside from old music getting better with age as it takes on a life of its own, there is also a simultaneous change and maturity among us listeners and fans of our favorite artists and bands of their music.

I practically grew up listening to the music of the Beatles, being born in 1965, the same year Yesterday was released. I have never understood all their songs but growing up at that time surrounded by their music, I have also fallen in love with the sound of Beatles like most of my generation.

And now, I just felt everything so “suddenly” too, of how fast time flies that indeed, “I’m not half the man I used to be”! 

Yesterday all my trouble seemed so far away
Now it looks as though they're here to stay
Oh I believe in yesterday

Suddenly I'm not half the man I used to be
There's a shadow hanging over me
Oh yesterday came suddenly

It was that line that actually moved me to link Yesterday with the transfiguration of Jesus, “Suddenly I’m not half the man I used to be.”

The lesson is very simple but many times, it could take us a lifetime learning or realizing. Most of all, accepting and owning.

Like the road to Easter, our lives are always marked with so many light and darkness, failures and triumphs, tears and laughter, even little deaths. Jesus tells us in his transfiguration that the scandal of the Cross cannot be removed from the glory of his Resurrection. There can be no Easter Sunday without Good Friday.

The good news is that in every passages in life we go through, every difficulty we hurdle, every pain and sufferings we endure, we always emerge a different person after – not half the man I used to be.

Of course, it still depends on us if we become better or bitter with every pain we go through. But, like the song Yesterday that went through a long process of ups and downs even before being recorded and released, it had emerged a very great music, a classic in our own time.

How consoling to think that great men and women, like McCartney and all the other artists we look up to went through a lot of troubles in life and have emerged better and wiser as persons.

And that’s because Jesus Christ was there first to suffer and die for us so that when he rose again from the dead, we too shall rise with him. Have a blessed week ahead, folks!

From YouTube.com.

“A Horse With No Name” by America (1971)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 18 February 2024
Photo by author, view of Israel from side of Jordan, May 2019.

It is the first week of Lent where the gospel is always about the temptation of Jesus by the devil in the desert. Naturally, the other thing that came to our mind while praying was the song A Horse With No Name by three young Americans who called themselves “America”.

It was still the great heydays of rock n’ roll and even though we were still too young at the time when this was playing on the airwaves, we just knew it was a great music especially when every grown up man was listening to it, humming it and even plucking its chords in their guitars. At that time, we just loved the melody and poetry of the lyrics, beginning with the unusual title A Horse With No Name with its very propitious guitars that kicked our imaginations of a far away journey in the desert.

On the first part of the journey
I was looking at all the life
There were plants and birds and rocks and things
There was sand and hills and rings
The first thing I met was a fly with a buzz
And the sky with no clouds
The heat was hot and the ground was dry
But the air was full of sound
I’ve been through the desert on a horse with no name
It felt good to be out of the rain
In the desert you can’t remember your name
‘Cause there ain’t no one for to give you no pain
La la la la la la…

The desert is more than a place in the Bible. It was more of a setting for meeting and experiencing God amid its dryness and wilderness. Every great prophet in the Old Testament went to the desert to pray and meet God; hence, in the New Testament, Jesus was shown as going first to the desert before launching his mission.

How ironic yet amazing that it is in the desert of our life’s poverty and limitations, sickness and weakness, dryness and weariness when we actually meet God, when we experience fulfillment and meaning in life (https://lordmychef.com/2024/02/17/lent-a-pilgrimage-to-god/). This biblical meaning of the desert was not far from the views of the song’s composer, Dewel Bunnell who explained later that A Horse With No Name was “a metaphor for a vehicle to get away from life’s confusion into a quiet, peaceful place” (from Wikipedia).

However, we remember too how when we were in high school (early 80’s) while listening to “American Top 40” on 99.5RT-FM when Casey Kasem claimed Bunnell saying that they were simply playing with words and chords when they came up with A Horse With No Name!

Whatever… but the music has become a classic because of its sincere message about life as a mystery not meant to be solved at all (because it is unsolvable!). For five decades since releasing A Horse With No Name, the trio of America had taught us how to deal with life’s mysteries by simply allowing ourselves to be wrapped by these mysteries, keeping our hearts and minds open in awaiting new revelations unfolding before us daily. Don’t forget too to have that sense of awe while being wrapped by life’s mysteries which is actually what Lent is asking us during this season as we return to God, our very root and grounding in order to find ourselves anew who are so lost in this world of so many disguises.

After nine days I let the horse run free
‘Cause the desert had turned to sea
There were plants and birds and rocks and things
There was sand and hills and rings
The ocean is a desert with its life underground
And a perfect disguise above
Under the cities lies a heart made of ground
But the humans will give no love

Here’s America with their first hit A Horse With No Name. Sing along, reflect and, pray. Have a blessed week ahead in this desert of life!

From YoutTube.com