Tag: sunday music

Living Inside Your Love (1976) by Earl Klugh

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 25 May 2025
Photo by author, Angels’ Hills Retreat and Spirituality Center, Tagaytay City, 18 April 2025.

We shift this Sunday into jazz with Earl Klugh’s sophisticated Living Inside Your Love to slow cool down our simmering summer and to feel more the meaning of the Mass readings today as we enter the penultimate week of Easter.

We were already in our early teens when we discovered Earl Klugh along with other jazz greats with the opening of the country’s first and only jazz radio station 101.9 WK-FM in the late 70’s. Maybe it was part of growing up when we experimented on a lot of things for more adventures that I found myself venturing into jazz from rock and pop music, switching from RJ to RT and then WK.

For me, Earl Klugh was the jazz version of rock’s Eric Clapton or Carlos Santana. Klugh has that certain touch or pluck in his guitar that can make you be in love, not necessarily be in love with anyone. It is a nakaka-in love ma-in love na feeling! That is why we remembered his Living Inside Your Love piece from his second studio album released in 1976 by the legendary Blue Note Records and Liberty Records produced by another jazz great, Dave Grusin.

Actually, we just realized today Living Inside sounds like a prelude to the turn of the century’s new age music where Klugh’s masterful playing of the guitar taking the centerstage of a great symphony backed up with cool vocals repeating just a few lines and stanzas of simple verses over and over that is similar with the vision of John in this Sunday’s second reading from the Book of Revelation when he saw and experienced the “new heaven, new earth” in the great luminous light of God who is himself the temple in the city (https://lordmychef.com/2025/05/24/easter-is-god-dwelling-in-us/). See how Klugh inserted the vocals into his great guitar music enhanced by a symphony like John’s vision of heaven:

Can't get over the feeling
Living inside your love
I never want to lose the feeling
Living inside your love

Baby, you made my life so free
Living inside your love
You're just where I want to be
Living inside your love

Baby, you made my life so free
Living inside your love
You're just where I want to be
Living inside your love

Very interesting with his wonderful guitar music, Klugh’s lyrics – though sparse and repetitive – were loaded in meaning. Consider the line “living inside your love” which is exactly what Jesus said at the Last Supper, “Whoever loves me will keep my word, and my Father will love him, and we will come to him and make our dwelling with him” (John 14:23).

“Living inside one’s love” is what we call as “Divine indwelling”, that is, our home is in God – and with any one we love!

Moreover, consider also Klugh’s first line in his next stanza, “Baby, you made my life so free/ Living inside your love/ You’re where I want to be/ Living inside your love.”

When we love, we enter a relationship that becomes our dwelling, our home where we become free – free to love more, free to be faithful. When we truly love like Christ, the more we find ourselves more free to love, more free in everything because being free is choosing always what is good. We believe that more than a stroke of genius, it was also a kind of divine inspiration about true love that made Klugh at put at the end of this 1976 classic the longer stanza that actually repeated inn order to stress the truth of his first two stanzas.

Can't get over the feeling
Living inside your love
I never want to lose the feeling
Living inside your love
Can't get over the feeling
Living inside your love
I never want to lose the feeling
Living inside your love
I can't get over the feeling
Living inside your love
I never want to lose the feeling
Living inside your love
I can't get over the feeling
Living inside your love

Here is Earl Klugh’s lovely Living Inside Your Love. Have a lovely Sunday and week ahead.

From YouTube.com

If You Don’t Know Me By Now (1989) cover by Simply Red

Lord My Chef Sunday Music, Fr. Nicanor F. Lalog II, 11 May 2025
Photo by author, Hidden Valley Spring Resort, Calauan, Laguna, February 2025.

It is the Good Shepherd Sunday and also the eve of local elections in our country. Clearly God is speaking to us today of the need to vote wisely by choosing candidates who can be like good shepherds who will lead our nation to greener pastures.

What a tragedy that despite our being a predominantly Christian nation not only in Asia but in the whole world, we have continued to lag in growth and development because we have consistently put into office corrupt and inept officials.

That is why this Sunday we have chosen Simply Red’s 1989 cover of Harold Melvin & the Blue Notes’ original hit in 1972, If You Don’t Know Me by Now. It is a love song of a man’s lament of how his beloved has failed to “know” him so well that they quarrel so often.

Sing the song everybody, c'mon
If you don't know me by now (Moldova!)
You will never never never know me, ooh

Now all the things that we've been through
You should understand me like I understand you
Now girl I know the difference between right and wrong
I ain't gonna do nothing to upset our happy home

Oh, don't get so excited
When I come home a little late at night
You know, we only act like children
When we argue, fuss and fight

Are we not like that in the Philippines? We cannot move forward as we keep on quarreling because we put the wrong people in government. We never think of the greater majority and of the future generations. Worst, we refuse to accept what we know! We know the candidate as corrupt and shallow yet many still vote for them. We know that the candidates are just popular as actors and actresses without any background at all in governance yet many still elect them into office doing nothing except to entertain.

In a deeper sense, it is in knowing that we are able to love most like Jesus Christ in today’s gospel when he declared “My sheep hear my voice. I know them, and they follow me. I give them eternal life, and they shall never perish” (Jn.10:27-28). For the Jews, knowing another person is more of the heart than of the mind; knowing another person is having a relationship not just being aware of one’s name and address.

Knowing and loving work hand in hand: only Jesus can love us immensely despite his knowing of our flaws and weaknesses and sins. Though it is difficult for us humans to imitate, the most we can do is first of all within ourselves to have that self-knowledge that leads us to accept who we really are to become a better person. Anyone who truly loves God and the country will always choose the best candidate for any office after an effort of knowing everything about them. To hear and follow the Good Shepherd means we choose the best, we reject the worst who are often the most sinful.

Candidates who truly love the country, on the other hand, will never pursue an office if they know in themselves they are not capable of the job ahead. It is something they must learn to accept despite their popularity or desire to be in any position.

Like what the song says, nobody’s perfect but if we work hard to know the other person including ourselves, things can get better for more understanding and acceptance. And love.

We all got our own funny moods
I've got mine, I'll bet you woman, you got yours too
You better trust in me, like I trust in you
As long as we'll be together, it should be so easy to do

Just get yourself together
Or we might as well say goodbye
What good is a love affair
When you can't see eye to eye? Oh
If you don't know me by now (if you don't know me, baby)
You will never, never, never know me (no you won't) ooh
No you won't, no you won't, no you won't
If you don't know me by now (twenty long years, we've been together)
You will never, never, never know me ooh (oh)
If you don't know me by now
You will never, never, never know me (no you won't) ooh

We love the original but we find Simply Red Mick Hucknall’s version so moving, especially the live one from Sydney Opera House in 2010. Enjoy.

From Youtube.com

*Please, know your candidates tomorrow and vote wisely. Together let us build a better tomorrow for all of us despite our flaws and weaknesses.

“Pick Up the Pieces” by Average White Band (1974)

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 20 April 2025
Photo by author, Atok, Benguet 27 December 2024.

Blessed happy Easter everyone!

We have long been planning to have this instrumental piece in our featured music every Sunday but it was only now we have realized this is most perfect during Easter when Jesus Christ in his Resurrection is telling us to “pick up the pieces” of life amid its many darkness and emptiness.

That is the grace and surprise of Easter: in Christ’s dying and rising to life, death has become a blessing to us all as we have come to share in his glorious resurrection too.

Despite that feeling of emptiness within and in our homes, of the irrevocable reality they are gone forever never to join us in our meals and bonding like Christmas, of never hearing their voices again nor be able to hug and embrace them can be shattering, the angel’s reminder to Mary Magdalene and companion women at the empty tomb echoes in our hearts too: “Why do you seek the living one among the dead? He is not here, but he has been raised. Remember what he said to you while he was still in Galilee, that the Son of Man must be handed over to sinners and be crucified, and rise on the third day.” And they remembered his words (Luke 24:5-8). https://lordmychef.com/2025/04/20/easter-is-god-surprising-us/

Released in 1974 in the UK by a group of Scotsmen musicians who called themselves as Average White Band or AWB, “Pick Up the Pieces” did not perform well in the charts until it was released later in October that same year in the US where it stayed on the top singles in February 1975. According to the late Molly Duncan who was the band’s saxophonist, he had disagreed in releasing the song that had no lyrics only other than the shout “pick up the pieces.”

Moreover, the title spoke so well of their situation at that time when they were hardly noticed in the music scene, not making any money at all until it was released in the US where radio stations took notice of its funky beat’s good vibes. The single eventually became AWB’s turning point that is why the more we find it so appropriately Easter in nature.

We have been aware of the music itself in the 1970’s but it was only in 2010 when we found out its artists –AWB – after Daryl Hall guested AWB bassist-guitarist and co-founder Alan Gorrie in his internet show Live From Daryl’s House. It was a superb performance as usual by Daryl Hall and his musicians but of course, we always prefer the original. Here is AWB with their classic “Pick Up the Pieces” which we believe Jesus would also approve as part of his Easter soundtrack. Amen.

From YouTube.com.

“My Ever ChangingMoods” (1984) by the Style Council

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 13 April 2025
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.

Today we begin the Holy Week with the celebration of Palm Sunday in the Lord’s Passion.

See how since the entry of Jesus to Jerusalem more than 2000 years ago, nothing much have really changed among us – we are still the same fickle-minded people who would sing “Hosanna in the highest” and later shout “crucify him! crucify him!”.

Everybody wants to become better, each one wishing for so many things without really realizing the good things we are hoping for are all right in front us if we could just open our eyes or listen more or perhaps have a change of heart to realize everyday is a Palm Sunday too for us when God comes right into us to fulfill us.

However, many times whether in our wishful thinking or future-looking and planning, it is highly probable that what we long for is already present to us.

As we begin the Holy Week with the celebration of Palm Sunday in the Lord’s Passion, we are reminded by the liturgy with its long readings how so often in life, we just need to see with different eyes, hear with different ears, expect with different hearts to find fulfillment, peace and joy.

The sad truth is that many times, we really do not know what we want and most of all, we also do not know what we are doing because we are so far from Jesus Christ. https://lordmychef.com/2025/04/12/when-we-do-not-know-what-we-are-doing/

The night before I wrote my homily yesterday, I was posting some reels in my Instagram account when one of the music I used was the Style Council’s 1984 hit “My Ever Changing Moods”. Composed by the group founder Paul Weller who shot to fame in the 1970’s as lead singer and guitarist of the British rock band The Jam, “My Ever Changing Moods” is the Style Council’s fifth single.

Aside from Weller’s superb vocals, “My Ever Changing Moods” is so remarkable in what shall we describe as “subtle intensity” – ang tindi ng dating as we say. Despite the message conveyed by its title, the song is heavy in meanings that can stir one’s soul with its light and easy poetry yet so penetrating. That is why we right away felt its direct link with Palm Sunday.

Daylight turns to moonlight and I'm at my best
Praising the way it all works, and gazing upon the rest, yeah
The cool before the warm, the calm after the storm
The cool before the warm, the calm after the storm

I wish to stay forever, letting this be my food
Oh, but I'm caught up in a whirlwind
And my ever changing moods, yeah

Many times in life, we forget that reality of how everything is like the weather that shifts and changes in a rhythmic pattern, “Daylight turns to moonlight…the cool before the warm, the calm after the storm.” The key is openness to these changes happening in us and around us.

Though Weller and critics claim of the song’s political undertones, we see something deeper, something spiritual that we find it so appropriate in this time as we enter the holiest days of the year. Notice these final four stanzas how they convey love and order, something so similar to Jesus Christ’s first words when crucified more than 2000 years ago, “Father, forgive them for they know not what they do” (Lk.23:24).

Teardrops turn to children who've never had the time
To commit the sins they pay for through another's evil mind
The love after the hate, the love we leave too late
The love after the hate, the love we leave too late

I wish we'd wake up one day, an' everyone feel moved
Oh, but we're caught up in the dailies
And an ever changing mood, yeah

Evil turns to statues and masses form a line
But I know which way I'd run to, if the choice was mine
The past is knowledge, the present our mistake
And the future we always leave too late

I wish we'd come to our senses and see there is no truth
In those who promote the confusion
For this ever changing mood, yeah
Photo by author, Sacred Heart Novitiate, Novaliches, QC, 17 March 2025.

What do we really know at all that we continue to crucify Jesus today, nailing him on the cross with our many sins as we pretend and assume to know so many things in life?

To know in the Jewish mind is to have a relationship, an activity more of the heart than of the mind. To know is to love, to care. Therefore, when Jesus prayed to the Father to forgive them for they know not what they do is to forgive them because they refuse to love which is what sin is all about. And that is what we still do not know until now – to love, to care for one another that we keep on crucifying Jesus Christ.

Until now, we pretend to know a lot that some nations resort to wars while some blind followers insist on what they know as right while evading the truth with their fake news being spread to cover crimes and atrocities. Until now we pretend to know what we are doing that everyday everywhere is a road rage happening often costing lives senselessly because many insist on their rights. And the confusions and quarrels and deaths continue because we do not know what we are doing. Like Paul Weller, we pray to Jesus that we’d come to our senses and see there is no truth// In those who promote the confusion// For this ever changing mood, yeah.

For this piece, we chose the slow version on piano of Style Council’s “My Ever Changing Moods” to be more attuned with Palm Sunday; you may check their original music video which is equally excellent.

From YouTube.com

“I Don’t Know How to Love Him” (1971) by Yvonne Elliman

Lord My Chef Sunday Music by Fr. Nicanor F. Lalog II, 06 April 2025

This is the second time we have featured Ms. Yvonne Elliman’s I Don’t Know How to Love Him in our Sunday Music at this time of the year when the Sunday gospel is about the woman caught committing adultery.

Every time that story comes up, my mind automatically links it with this song sang by Ms. Elliman in both the Broadway and movie versions of the rock-opera Jesus Christ, Superstar where she played the role as Mary Magdalene who was believed for a long time as the woman caught committing adultery. Modern biblical scholarships have long debunked that belief but that song by Andrew Lloyd Weber and Tim Rice plus Elliman’s amazing interpretation has given us with so many perspectives about the gospel itself.

One thing we realized this year is how we – like the woman caught committing adultery meet Jesus Christ face-to-face to experience his immense love and mercy and forgiveness.

We encounter Jesus when we disarm ourselves of our false securities and pretenses, masks and camouflages that all cover our sins. It is when we come face-to-face with our sinful self when we eventually meet Jesus face-to-face too because that is when we surrender in silence like the woman caught in adultery and the mob to some degree because all the charges against us are true.

See also that it is only the fourth gospel that Jesus is portrayed “bending” low – first here before the woman caught committing adultery and secondly at the washing of the feet of his Apostles at their Last Supper. How lovely is that sight to behold, dear friends! Imagine God bending before us, giving us like the sinful woman and the mob that space for us to confront our true self, to realize and accept the whole realities we are all interconnected in love.

Only the woman remained – like the eleven Apostles at the Last Supper – because she was the only one willing to change, probably sorrowful and contrite for her sins. Contrary to our fears, Jesus has only love and mercy, kindness and forgiveness to anyone contrite and sorrowful of one’s sin that so unlike with the people’s wrath and anger, judgment and condemnation. St. Augustine perfectly described that moment in today’s gospel, Relicti sunt duo; misera et miserecordia (Two were left; misery and mercy). https://lordmychef.com/2025/04/05/lent-is-encountering-jesus/

Now, look at the first two stanzas of I Don’t Know How to Love Him:

I don't know how to love him
What to do, how to move him
I've been changed, yes really changed
In these past few days
When I've seen myself
I seem like someone else

I don't know how to take this
I don't see why he moves me
He's a man
He's just a man
And I've had so many
Men before
In very many ways
He's just one more

See the conversion and transformation of the woman caught in adultery expressed by Ms. Elliman in the song: I’ve been changed, yes really changed/ In these past few days/ When I’ve seen myself/ I seem like someone else. It is one of the great ironies in life: when we are most vulnerable and weakest, that is when we are also most truest to our self, that is when we truly grow and mature in life!

And this was all possible because of the gift of love and mercy of Jesus Christ, of encountering the Lord and Savior Himself in our own brokenness which the song and the singer captured so perfectly, He’s just a man/ And I’ve had so many men before/ In very many ways/ He’s just one more.

How amazing that the lyrics and the rendition blended perfectly, making us realize how Jesus is just like any other man but not just another additional man; Jesus is MORE than any one because He is the only who truly loves us most, offering us forgiveness once we strip ourselves naked before Him of all our sins and pride and pretensions. God’s love in Jesus Christ is beyond imagining. This we have seen in the parable of the prodigal son and now in the story of the woman caught committing adultery. Do not let your past sins prevent you from meeting Jesus face-to-face to finally experience that inner peace and joy you have been missing and searching for so long.

We are now in the final Sunday in Lent, next week is Palm Sunday, the start of the Holy Week. We can never experience the joy of Easter unless we join Christ’s Passion of emptying ourselves of sins and pride to be filled with His humility, justice and love.

Here is the lovely Ms. Elliman with her superb singing of I Don’t Know How to Love Him, hoping this helps you prepare in this final week of Lent.

From YouTube.com.

“The Closer I Get to You” by Roberta Flack (1977)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 21 July 2024
Photo by Dra. Mylene A. Santos, MD, Infanta, Quezon, 2020.

We’re back on this lazy but blessed Sunday when our gospel is about rest, “Jesus said to his apostles, ‘Come away by yourselves to a deserted place and rest a while'” (Mk. 6:31).

Rest is first of all going back to God in Jesus Christ who sends us to work, on a mission; rest is being filled with God or “breathed on” by God as we say in Filipino mag-pa-hinga (https://lordmychef.com/2024/07/20/rest-is-to-be-close-with-jesus-close-with-others/).

And we thank God for the gift of music that is the easiest, most affordable and most rewarding manner of rest for us next to prayer and the Mass. Most of all, see that every song, every musical piece is always about love who is God Himself!

For this Sunday, we go back to 1977 with Roberta Flack’s romantic ballad The Closer I Get to You that is more than a song of love but a story of love in itself.

According to Ms. Flack, it was her manager David Franklin’s idea that she record a duet of that song with her college friend Donny Hathaway who was then suffering with clinical depression. Both have worked together earlier in several duets. As a way of helping her friend get over his depression, the song was re-written while Ms. Flack had to make a lot of sacrifices in recording and shuttling between New York City and Chicago where Hathaway was confined to a hospital and had refused to travel.

Hathaway never recovered from his depression and eventually died a few years after the release of their duet in 1978 that became an instant hit, earning praises and had them nominated for Grammy the following year.

Ms. Flack said in an interview that their duet would always be her dedication to Hathaway as she donated all the money earned from that song to Hathaway’s widow and two children.

As we have mentioned in our homily today, rest is getting closer with God and the closer we get to Him, the closer we get with others. That is why Jesus was moved with pity to the vast crowds who have followed them to a deserted place to rest: His oneness with the Father moved Him closer to people especially the poor and the suffering. And that is why we find The Closer I Get to You perfect with our gospel this Sunday: the more we get closer with Jesus, the more we get closer with our family and friends and those in need. 

The closer I get to you
The more you make me see
By giving me all you've got
Your love has captured me

I love that first stanza of The Closer I Get to You; it says the very essence of the song which is a gospel in itself. It reminds us of St. John’s first letter when he wrote, “No one has ever seen God. Yet, if we love one another, God remains in us, and his love is brought to perfection in us” (1Jn.4:12).

The more we get closer with anyone, the more we love, because the more our eyes are opened to see others to love. And God becomes more present among us!

It’s a Sunday, go celebrate the Mass and enjoy some beautiful music to remind us of God’s presence among us. Here now is The Close I Get To You…

From YouTube.com

“Iisang Bangka Tayo” by The Dawn (1992)

The Lord Is My Chef Sunday Music for the Soul by Fr. Nicanor F. Lalog II, 23 June 2024
Photo by Fr. Pop Dela Cruz, Binuangan Is., Obando, Bulacan, June 2021.

We go OPM this Sunday, digging through the great decade of Pinoy rock bands of the 90’s with The Dawn’s Iisang Bangka Tayo released in 1992.

I was still outside the seminary working at GMA7-News when The Dawn rocked the local scene with their Enveloped Ideas in 1987. Unfortunately, their founder and more famous member Teddy Diaz was stabbed to death the following year on his way to visit his girlfriend in Quezon City that abruptly ended the career of a very promising musician who have unknowingly sowed the seeds for the blossoming anew of OPM with the advent of many alternative bands in the 90’s.

After leaving GMA-7 News to give my vocation a second try in the seminary, radio and music remained my two “worldly” pursuits without any plans at all of ever turning away from. And I was so glad The Dawn had continued to play music all those years while in the seminary days until I became a priest.

This is my second favorite song from them: rough and raw as they have always been with deep thoughts running through but this time in the vernacular language. What I like most with this song is its theological undertones: its calls for togetherness and unity as friends and a nation, and most of all, of communion as a church considering that is what the boat symbolizes.

The boat carrying Jesus and the disciples crossing the Lake of Galilee during a violent squall actually symbolized the Church under persecution. The Dawn’s Iisang Bangka Tayo struck the gospel chords perfectly, especially at this part midway through the song:

Dahon ng damo tangay ng hangin
At di mo matanaw kung saan ka dadalhin
Ngunit kasama mo ako nakabigkis sa puso mo
Daluyong ng dagat ang tatawirin natin

Saan ang tungo mo mahal kong kaibigan
Saan sadsadyain hanap mong katahimikan
Basta’t tayo’y magkasama laging sasabayan
Pinagsamaha’y nasa puso kaibigan kabarkada

Iangat natin ang layag sa umaawit na hangin
Kapit-bisig tayong ang gabi ay hahawiin

Ating liliparin may harang may sibat
Ating tatawirin daluyong ng dagat
Pagkat kasama mo ako iisang bangka tayo
Anuman ang mithiin ay makakamtan natin

It is the same message of oneness and trust that Jesus conveys in our gospel this Sunday who silently joins us in the boat to help us cross this sea of life amid storms and giant waves that can be overwhelming most of the time (https://lordmychef.com/2024/06/22/into-the-sea-of-life-love/). Most of all, Jesus and The Dawn’s Iisang Bangka Tayo remind us of the need for more love and trust with each other to overcome life’s many trials and sufferings. Here now are The Dawn… rak en roll!

From YouTube.com

“Big Yellow Taxi” by Joni Mitchell (1970)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 16 June 2024
Photo by Sarah-Claude Lu00e9vesque St-Louis on Pexels.com

We’re back with our featured music this Sunday that is both so close to our Mass readings and Fathers’ Day celebration: Joni Mitchell’s 1970 hit Big Yellow Taxi from her album Ladies of the Canyon.

Written, composed and recorded by Canadian Mitchell, Big Yellow Taxi is known as an environmental song that was so popular during the early 70’s but its message remains so valid up to this time, of the folly of modern man destroying nature in the name of material progress. It is perhaps the main reason why the song has been covered repeatedly by other artists up until the turn of this century (Counting Crows featuring Ms. Vanessa Carlton in 2002).

They paved paradise and put up a parking lot
With a pink hotel, a boutique, and a swinging hot spot

Don't it always seem to go
That you don't know what you got 'til it's gone?
They paved paradise and put up a parking lot

Ooh, bop-bop-bop
Ooh, bop-bop-bop (na-na-na-na-na)

They took all the trees and put 'em in a tree museum
And they charged the people a dollar and a half to see them
No, no, no

In today’s Sunday Mass first reading, we heard the Prophet Ezekiel announcing to the Israelites exiled in Babylon at that time how God would plant a Lebanon cedar on a mountain that would grow majestically with birds building nest on its branches. This prophecy was eventually fulfilled in Jesus Christ, the Emmanuel or God-with-us who is like a big tree in our midst.

And that’s where we find Mitchell’s song very relevant to us when some people no longer care at all for God with their lack of concern for Mother Nature too. Mitchell perfectly captured that human stupidity of cutting trees to build parking lots (and malls in our time), then exhibit these trees in museums to charge people with fees just to see something freely given to us by God!

Photo by Dra. Mylene A. Santos, MD, in Infanta, Quezon, April 2020.

According to an interview, Mitchell wrote this song after arrival in Hawaii for the first time. She was so impressed with the beautiful expanse of nature as viewed from her window but upon looking down from the same window, she saw a huge parking lot that made her felt so bad that she immediately wrote the song. Her heart further sank deeper in sadness after learning a living museum in Honolulu that kept rare and endangered plants and trees. What an irony indeed!

Another poet we have mentioned in our homily this Sunday who extolled the beauty of trees is the American Joyce Kilmer who wrote Trees in twelve lines that sound so much like a gospel too: “I think I shall never see//A poem lovely as a tree… Poems are made by fools like me//But only God can make a tree.” Kilmer’s poem was a staple in English classes during our elementary school days that we have memorized it by heart. Though apart by almost 3000 years, both Mitchell and Ezekiel exhorted us in a song and a prophecy respectively of a spirituality of trees worth reflecting (https://lordmychef.com/2024/06/15/poems-are-made-by-fools-like-me-but-only-god-can-make-a-tree/).

Towards the end of Mitchell’s song, we just realized lately that her Big Yellow Taxi is also a Fathers’ Day song:

Listen, late last night, I heard the screen door slammed
And a big yellow taxi took away my old man
Now, don't it always seem to go
That you don't know what you got 'til it's gone?
They paved paradise to put up a parking lot

According to some accounts, Mitchell could be referring to her lover or boyfriend taken by the Toronto Police whose mobile cars used to be painted yellow until 1986 while in some covers, that line clearly referred to their lovers leaving them by taking the yellow taxi.

Whatever may be the meaning behind that line, Big Yellow Taxi invites us all to reexamine our priorities in this life, including those that pertain to our nature and environment, and family life, especially fatherhood that is now in crisis. Here now is Ms. Joni Mitchell to help you in reflecting the points we have raised. Happy Fathers’ Day to all the great men and dads remaining faithful in their love and responsibilities!

From YouTube.com

“So Far Away” by Carole King (1971)

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 28 April 2024
Photo by author, somewhere in Bgy. Kaysuyo, Alfonso, Cavite, 27 April 2024.

It is a “frying Sunday” as heat index rose to over 40 degrees today and there’s no stopping at temperature rising in this final week of April. And so, we offer you this Sunday one of the coolest music we have grown up with courtesy of Ms. Carole King.

From her beautiful Tapestry album released in 1971, we find So Far Away perfectly expressing the essence of Jesus Christ’s call for us to remain in him, our true vine:

To remain is more than physical like to stay. A branch remaining, staying intact with the vine but had turned yellow and dried up is clearly not one with the vine. We can be inside the church but be detached with everyone and the celebration. We may be staying or residing in the same address and home but our heart and very self may be so far away from our siblings or parents, or from your wife or husband.

Remaining implies something more than physical presence. To remain is to have a relationship, a bonding that is deep and intimate. To remain is to be of one heart as GMA7 claims to be a kapuso which is more important than being a kapamilya or a kapatid. There is no sense of being a family (kapamilya) when there is no love in the family or at the other hand, a sibling (kapatid) is nothing if the brother or sister is your enemy. We remain with God and everyone when our hearts are attuned or inclined to God and with others in love which is the fruit of the vine, Jesus Christ.

https://lordmychef.com/2024/04/27/remaining-in-christ-2/

So Far Away is a gospel in itself about love which is about oneness. Even if we are apart – temporarily or eternally – for as long as we have that communion and bonding of our hearts, that love will always be truly felt. Perhaps, one reason for the saying “absence makes the heart grow fonder” when lovers are apart. Remaining and presence are more than physical but a bonding of the hearts that Ms. King beautifully sings to us in her classic So Far Away:

So far away
Doesn’t anybody stay in one place anymore?
It would be so fine to see your face at my door
Doesn’t help to know you’re just time away
Long ago, I reached for you and there you stood
Holding you again could only do me good
How I wish I could, but you’re so far away

One more song about movin’ along the highway
Can’t say much of anything that’s new
If I could only work this life out my way
I’d rather spend it bein’ close to you

In this age of modern communications, how ironic that we are brought closer with those so far from us by distance but have caused us too to be distant from those nearest to us. The Risen Jesus Christ tells us this Sunday that being close, remaining in love happens even without seeing the other person for as long as our heart is attuned with the one we love. What really happens is that for as long we keep that love in our hearts, even if our beloved is gone or far from us, the more we experience his/her presence in their absence.

Let Ms. Carole King bring back those loving moments we had.

From Youtube.com.

“Sweet Thing” (1975) by Rufus & Chaka Khan

The Lord Is My Chef Sunday Music by Fr. Nicanor F. Lalog II, 21 April 2024
Photo by author, Anvaya Cove in Morong, Bataan, 15 April 2024.

Today is the Good Shepherd Sunday and we take a classic number from the lovely shepherdess of R&B and Soul, Ms. Chaka Khan with her 1975 hit Sweet Thing as vocalist of the group Rufus.

What I like most with Ms. Khan’s music next to her great voice and instrumentations being a percussionist herself is her ability to open us up to the woman’s heart and feelings. Her songs are so womanly that reveal the inner dynamics of womanhood we take for granted. (See our other piece, https://lordmychef.com/2021/06/27/through-the-fire-by-chaka-khan-1984/). That is why we find her so much like a good shepherdess leading us to find expressions of our love.

When Jesus Christ declared “I am the good shepherd who lays down his life”, He was expressing something more than His mission but His very being as “the Gift and the Giver” at the same time of this most precious thing called love.

The same thing is true when friends and lovers separate either because they have found other loves to pursue or worst, have fallen out of love with us despite all our love for them. It is the most unkindest cut of all breakups and separations, excruciatingly painful as we blindly give up our relationships ironically for love. More than the persons and circumstances involved, we freely choose to let go – magparaya in Filipino – because deep in our wounded and hollowed heart is the hope they may grow in their new love.

Here we are like Jesus the Good Shepherd because even in the death of our relationships is still found our love. Like Jesus Christ, we do not simply give something but our very selves. The Jesuit theologian Karl Rahner beautifully expressed this when he described Jesus is both “the Gift and the Giver.”

– https://lordmychef.com/2024/04/20/jesus-our-good-shepherd-the-gift-the-giver-himself/

This is very evident in Sweet Thing which Ms. Khan co-wrote with Tony Maiden.

I will love you anyway
Even if you cannot stay
I think you are the one for me
Here is where you ought to be
I just want to satisfy you
Though you’re not mine
I can’t deny you
Don’t you hear me talking baby?
Love me now or I’ll go crazy

Oh sweet thing
Don’t you know you’re my everything?
Oh sweet thing
Don’t you know you’re my everything?
Yes, you are

I wish you were my lover
But you act so undercover
To love you child my whole life long
Be it right, or be it wrong
I’m only what you make me, baby
Don’t walk away, don’t be so shady
Don’t want your mind, don’t want your money
These words I say, they may sound funny, but

Isn’t it so sweet!? Beginning with its guitar intro lately making rounds in social media courtesy of Prince’s unplugged cover, Sweet Thing is an overload of love and self-giving, of how a woman in her great love for a man is willing to let go of him because of love.

When we speak of love, we use comparisons and analogies and yet, they are not enough. How much more when we speak of the love of God, a love so sublime like Ms. Khan’s Sweet Thing?

In that case, we sing like Ms. Khan and her other co-shepherds of souls with their music that captures our deepest feelings and convictions in life. Like Jesus in saying “I am the good shepherd” which is more than a declaration of His mission but of His self-giving in love, Ms. Khan’s Sweet Thing reminds us of this tremendous grace to love like God despite the pains and hurts we go through in loving selflessly.

Let’s hear it from Ms. Chaka Khan herself.

From YouTube.com